Crows are Chased and the Chasing Crows are Destined to be Chased as well: Dissolving Light

teamLab, 2024, from the series Crows are Chased and the Chasing Crows are Destined to be Chased as Well, 2013-, Installation, 4min 20sec, Sound: Hideaki Takahashi

Crows are Chased and the Chasing Crows are Destined to be Chased as well: Dissolving Light

teamLab, 2024, from the series Crows are Chased and the Chasing Crows are Destined to be Chased as Well, 2013-, Installation, 4min 20sec, Sound: Hideaki Takahashi

當《Crows are Chased and the Chasing Crows are Destined to be Chased as well: Flying Beyond Borders》進入“Dissolving Light”作品空間時，便啟動了這項作品。作品結束後，《Crows are Chased and the Chasing Crows are Destined to be Chased as well: Flying Beyond Borders》便會離開。

與空間成為一體被描繪出來的作品，溶解並融入這個世界。

作品與這個世界互相連續，作品與身體的邊界模糊不清。

本作品從《追逐的八咫鳥、追逐同時亦被追逐的八咫鳥、以及被分割的視點》（2014）延伸，觀賞者的視點不會被固定，不僅是左右方向，縱深方向的視點也是自由的，所以可以一邊隨心所欲的行走，一邊摸索全身心沉浸在作品世界中的身體感知。

用光描繪出的八咫鳥飛行盤旋在空間裡，它的軌跡會化為光線並描繪出“空書”。八咫鳥互相追逐飛翔。追逐中的八咫鳥很快地成為了被追逐者，當八咫鳥互相碰撞時，便會化成花朵消散而去。

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無界的世界