teamLab: A Forest Where Gods Live - earth music&ecology | teamLab

Name: teamLab: A Forest Where Gods Live - earth music&ecology
Start: 2019-07-12
End: 2019-11-04
Location: 御船山乐园

既往展览

2019.07.12(Fri) - 11.04(Mon)御船山乐园, 武雄温泉, 九州

既往展览

2019.07.12(Fri) - 11.04(Mon)御船山乐园, 武雄温泉, 九州

連續的生命

御船山樂園於1845年（江戶時代後期）設立，占地面積多達50萬平方米。在御船山樂園的邊界上有一棵在日本十分有名的巨木 — 樹齡超過3000年以上的武雄神社大楠樹神木，並且在樂園庭園的中心區域裡種有眾多樹齡約為300年的大楠樹群。人們可以想像出，這座庭園擁有自古以來就被保護起來的森林，並且將其樹木活用到現代庭園造景中。（> 可以想像，這是一個生於古木環繞與其周邊自然森林一起成長，並被不斷構築的現代庭院。）庭園與自然森林之間的界線曖昧而模糊，觀賞者在漫步游覽時時而會不經意地走入森林，時而則會踏入獸徑。在森林裡還祭祀著被自然與歷史不斷淬煉而成的巨石：“稻荷大明神”。在洞穴的岩壁上則遺留有創作了奈良大佛的名僧行基約在1300年前所雕刻的五百羅漢。

沒錯，在經歷了歷史的時間洗禮後所形成的巨石，洞窟與森林中，每個時代的人都能從中領會出新的含義，這就是累積了上千年而形成的御船山樂園（>沒錯，每個時代的人們都能從這經歷過被漫長時間所洗禮而形成的巨石，洞窟與森林中領悟出屬於自己時代的意義，而這，就是承載了上千年文明與歷史的御船山樂園）。直到現在，自然與人類的活動以及森林與庭園的界線依舊保持著模糊交融的曖昧狀態，造就了如今這個舒適而美麗的文化遺產。

於是，當你在這個庭院和森林的界線曖昧不清的地方迷失了方向時，就能夠在這人與自然相磨合後所產生的常年沒有邊界並連綿不斷的延續性上，感受到自我的生命意義的所在。為此，我們想在這個廣闊的庭院裡，舉辦一個能夠讓人們在森林中徘徊，迷失，繼而融入這個自然世界的展覽。

“自身”這個概念是在數十億年的時間長河裡，在不斷的生與死的循環往復上的誕生並存在著的。然而在日常生活中，人們非常難於覺察到這一點。人們可能無法認知比自己生命更長的歲月，在對時間的延續性上存在著一定的認知局限。

但是，在探索御船山樂園的時候，人們會意識到這些不斷經過的巨石，洞窟，以及森林正是在長久時間下生命的不斷延綿持續所具像而成的形態。這些積年累月所形成的存在本身，就已經超越了人們對時間之延續性的認知界限。

teamLab在這裡舉辦著名為“Digitized Nature”的藝術展覽項目，其目的是運用非物質性的數位技術讓“大自然在自然的形態下成為藝術”。

無論是擁有超越了人類認知時間的巨石,洞窟和森林，亦或是把大自然與人類的活動互相結合並不斷持續的庭園，在保持這兩者原有狀態下制作而成的作品，是我們認為能夠幫助人們超越對於時間連續性的認知界限，並認識到自己是誕生於這源遠流長並不斷延綿的歲月之上的存在。能夠使人們體會到比自己生命更長久的時間的存在，理解“連續的生命形態”的意義，這對於現代人類的生活與發展具有深遠意味，需要將這個理念不斷的承載和延續下去。

teamLab

Story behind earth music&ecology's contribution

We feel a conceptual affinity between “teamLab: A Forest Where Gods Live”, an art project created by a worldwide spectacle teamLab, and earth music&ecology. We will support the art collective over the long term.

earth music&ecology

藝術作品

Megaliths in the Bath House Ruins

Masses (Megaliths) of different space-times are clustered in the bath house ruins.
The forest surrounding the bath house ruins is home to 3,000-year-old trees, and it changes daily with the imperceptible, slow flow of time, repeating every year, as a space where the endlessly long time accumulates. The ruins from ages past scattered in the forest and the Edo-period garden which remains today each have their own respective space-times. The bath house was made in modern times, but after just a short period, it was abandoned, becoming a space-time where time had stopped completely. And this group of megaliths is also a mass made up of compressed space-times where the flow of time varies. Here, various space-times intersect and overlap.

Each megalith is surrounded by similarly standing megaliths, the space-times of which are all connected. 

The artwork is continuously rendered in real time by a computer program. It is neither prerecorded, nor on loop. As a whole, previous states never recur, and the artwork is continuously changing due to the movement of people. Every moment is unique and can never be seen again.

The following artworks exist in the artwork space of the three-dimensional objects grouped in these bath house ruins.

・Flowers and People
This artwork is in a state of continuous change. Over a period of one hour, a year’s worth of seasonal flowers blossoms and scatters. The flowers bud, grow, and blossom before their petals begin to wither and eventually fade away. The cycle of growth and decay repeats itself in perpetuity. If a person stays still, the flowers surrounding them grow and bloom more abundantly.

・Universe of Water Particles
When people approach the artwork, the flow of the water changes. The movement of people influences the artwork, causing it to evolve continuously, while the artwork influences other works. For instance, the water causes the flowers in the work Flowers and People to scatter.

Water is represented by a continuum of numerous water particles. The interaction between the particles is calculated and then lines are drawn in relation to the behavior of the water particles. The lines are “flattened” using what teamLab considers to be ultrasubjective space.

teamLab: A Forest Where Gods Live - earth music&ecology | teamLab

連續的生命

參觀指南

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附近的展覽

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