teamLab: Digitized Kanazawa Castle | teamLab

Name: teamLab: Digitized Kanazawa Castle
Start: 2023-09-30
End: 2023-11-26
Location: 金澤城公園

既往展览

2023.09.30(Sat) - 11.26(Sun)金澤城公園, 金澤, 石川

#teamLabKanazawa

READ ME BEFORE YOU VISIT

Details about the exhibition today (e.g. closure due to severe weather conditions)

既往展览

2023.09.30(Sat) - 11.26(Sun)金澤城公園, 金澤, 石川

READ ME BEFORE YOU VISIT

#teamLabKanazawa

Details about the exhibition today (e.g. closure due to severe weather conditions)

teamLab: Digitized Kanazawa Castle
Kanazawa Castle was the residence of the Maeda clan for 14 generations, from the end of the Sengoku period (1467 - 1590) through the Edo period (1603 - 1868). As it was initially built in 1546 as a base for the Ikko Ikki (a group of monks from the branch of Jodo Shinshu Buddhism called Ikko-shu that rose to national power), it was originally known as “Kanazawa Mido*” (or “Oyama Gobo**”).  However, once Maeda Toshiie, one of Oda Nobunaga’s retainers, took over the Kaga domain (which corresponded roughly to present-day Ishikawa and Toyama prefectures), the building was reconstructed as a castle under the supervision of Takayama Ukon, known as the Kirishitan (Catholic) daimyo. Since then, the castle underwent multiple fires and lost its main castle tower when it was hit by lightning in 1602. The building was used as a base for the army after the Meiji restoration and once the war was over, it became one of Kanazawa University’s campuses. Over time, Kanazawa Castle has served as a place for religion, politics, war, and learning, and with this exhibition, is transformed into an art space where the past and present intersect, changing through the interactions and existence of the people of today.

This exhibition is a part of teamLab’s Digitized City art project, in which teamLab explores how non-material digital technology can turn a city and its buildings into art without physically altering it.

teamLab: Digitized Kanazawa Castle will transform the grounds and historic castle of Kanazawa into an art space that transforms interactively. The artworks are influenced by the wind and rain, as well as by the behavior of people, making nature and the people become a part of the artworks, and a part of the long continuity of time. 

The artworks, people, and nature; the self and others; the past and the present; all form a continuity without boundaries.

*meaning: Kanazawa Temple

**meaning: Oyama Temple. Oyama was the former name of Kanazawa city

#teamLabKanazawa

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作品

Animals of Flowers, Symbiotic Lives in the Stone Wall - Kanazawa Castle

The animals are formed from the stone walls and the flowers that bloom and die in a continuous cycle. Seasonal flowers bloom while slowly changing. If too many petals scatter, the animals will die and fade away.

Enso on Ancient Stone Wall

Among the stone walls of Kanazawa Castle there is a north-facing stone wall, Higashi no Maru (built around 1592-1595), that was constructed with the oldest technique of Nomenzumi (a method of stacking natural stones as they are). In this artwork, Enso is drawn infinitely on this Stone Wall.

The black lines drawn with light express the absence of light, and cannot be distinguished from the shadows of the stone walls that have been weathered over the past several hundred years. The black calligraphy and the black shadows created by the long passing of time become one, infinitely drawing Enso on the stone walls.
Enso blurs the physical boundaries of the Fushimi Yagura turret, and creates a new time space.

Enso is the Zen practice of drawing a circle with a single brushstroke. This artwork depicts Enso drawn as Spatial Calligraphy. As the three-dimensional stroke rotates, there are moments when its circular shape is revealed.
Spatial Calligraphy is a form of calligraphy drawn in space that teamLab has been exploring since it was founded. The artwork reconstructs calligraphy in three-dimensional space to express the depth, speed, and power of the brushstroke.

Back in ancient times, Enso was drawn in space using sticks, to symbolize the concepts of enlightenment, truth, the universe, and equality, in a figurative manner. The circle is also a reflection of the viewer’s inner self, thus its interpretation depends on the viewer.

Walk, Walk, Walk - Kanazawa Castle

A group of anonymous and diverse figures walk along the stone wall of Kanazawa Castle.

Viewers will make choices, as they confront the figures.

“Hoho kore dojo” is a Zen expression on how every step is a place to learn. The figures in the artwork walk endlessly while confronting new situations. When people walk towards the figures, they will also confront new situations or new characters along their way.

The artwork is not a pre-recorded image that is played back: it is created by a computer program that continuously renders the work in real time. Previous visual states can never be replicated, and will never reoccur. The picture at this moment can never be seen again.

直立並呼應的生命和呼應之樹 / Autonomous Resonating Life and Resonating Trees

放置在古城遺跡中的持續不斷站立的物體和遺跡中的樹木一起發出光芒。每棵樹上的光會個別自我行動，像是在呼吸一樣一下發出強烈光芒，一下變得灰暗。
每棵樹上的光在被人推倒時，會改變光芒的顏色，並且發出特別的音色。而且光也會和附近的樹木互相呼應，變化成相同的顏色並且發出聲音，同時還會接連與周圍的樹木連續呼應。之後，與周圍的“能夠呼吸呼應的石牆”也會相互呼應。
當光芒從另一方延展過來時，就表示另一方有人在的意思。當光芒從山的方向延展過來時，就表示山那邊有人在。這麼一來人們應該會比平常更加意識到相同空間內其他人們的存在吧。

呼應之樹 / Resonating Trees

樹木閃爍著光芒。群樹之光會個別自律行動，緩慢的，忽明忽暗。

當人們從附近經過時，光芒的顏色會發生變化，並發出特有的音色。群樹發出的光芒向周圍的樹木傳播並發出音色，不斷連續下去。

當光芒從樹木的深處延展過來時，就表示另一方有人在。這麼一來人們一定會比平常更加意識到相同空間內他人的存在吧。

Inui Turret Stone Wall

The musical experience changes depending on the pace at which you walk.

Giant Solidified Spark

Reality is not what we see. What we see is a world that we are capable of perceiving.

A sphere made of accumulated rays of light.
The light radiates from the center in infinite fine rays, creating its spherical shape. The light source remains motionless, yet the countless lines emitting from it wriggle continuously.

The sphere has no surface boundary, and the perception of the boundary between the artwork and the body is ambiguous. When you try to touch a sphere, your hand goes into the sphere as it does not have a physical boundary.

What is this sphere? Why do the rays wriggle?
Our world is within us.

And once we recognize this sphere made of accumulated lines, our perception of the world expands, and we will begin to notice them wherever we go.

Sketch Generals

A park where historical generals drawn by everyone gather together. The figures featured in this artwork are associated with Kanazawa.

Color in a general on the paper provided, such as Maeda Toshiie, Maeda Matsu (Omatsu no Kata), Takayama Ukon, Maeda Toshinaga, Tamahime, Oda Nobunaga, Tokugawa Ieyasu, Toyotomi Hideyoshi. See the picture you have drawn come to life in the massive park in front of you.

If you touch a general, their famous quote will appear in a speech bubble.

■How to interact with the artwork
1: Draw and color in your favorite general.
2: Scan the colored drawing.
3: Watch the historical figures come to life as they walk around the park.
4: Touch a general to read their famous quote.

彩繪工坊

Turn your own drawing into a souvenir to take home with you.
The historical figures you draw and bring to life in Sketch Generals will be made into an original tin badge.

參觀指南

提醒

Details about the exhibition today
Please check here regarding details about the exhibition today (e.g. closure due to severe weather conditions)

到場之前請先閱讀以下內容
・會場內光線較暗，有台階和高低差,也有未鋪裝的地方，建議穿著運動鞋等舒適的鞋子。另外，有使用輪椅、嬰兒車等人士不能參觀的區域。請您理解和配合。
・天氣惡劣的情況下，有時會中止舉辦。詳情請查看本頁面及Ishikawa National Cultural Festival 2023官方網站。

關於入場口
・入場口只有石川門口。從其他入口（鼠多門口、玉泉院丸口、黑門口、大手門口）都不能入場。敬請注意。

關於當日票
・展覽期間，在金澤城公園石川門問訊處附近的會場售票處以外、還在金澤站旅遊諮詢中心及金澤中央旅遊諮詢中心出售當日門票。預計會場的售票處會很擁擠。建議提前購買門票。
・門票有售罄的情況。但有當日票的情況下，即使是當天，也能在官方票務網站上購買。

會場資訊

teamLab: Digitized Kanazawa Castle

展期

2023.09.30(Sat) - 11.26(Sun)

時間

18:00 - 21:30 (最晚入館時間為 20:45)

Ticket Sales

①官方票務網站

②預售票處
eplus、北國新聞讀者服務中心、石川音樂堂售票處、金澤站旅遊諮詢中心（僅限當日票）、金澤中央旅遊諮詢中心（僅限當日票）

③會場的售票處（僅限當日票）

・門票是日期指定票。
・購票后，因顧客原因不能取消或退款。
・只有在官方票務網站上購買的門票才能更改日期。
・持有殘疾人手冊的人
持有殘疾人手冊的本人和一名同行者，可以用殘疾人折扣金額購買門票（第一類殘疾者、第一類智障人以及第一類精神障礙者的一名看護人員可以免費陪同入場）
*只有在日本國內發放的殘疾人手冊有效。
*我們將在入場口進行殘疾人手冊的確認。請與您的陪同人員一起入場。
*除了殘疾人手冊以外，還可以使用Mirairo ID。
・小學生以下需要18歲以上的成年人陪同。
・門票有售罄的情況。
・eplus、北國新聞讀者服務中心及石川音樂堂售票處都不出售當日票。

網站

Ishikawa Hyakumangoku Cultural Festival 2023

交通指南

地址

金澤城公園
石川縣金澤市丸之內1-1

Map

地址用當地語言:

金沢城公園
石川県金沢市丸の内1-1

放大

常見問答

票務相關

可以當天買票嗎？

展覽期間，在金澤城公園石川門問訊處附近的會場售票處以外，還在金澤站旅遊諮詢中心、金澤中央旅遊諮詢中心出售當日票。預計會場的售票處會很擁擠,建議提前購買門票。有當日票的情況下，即使是當天，也能在官方票務網站上購買。

在哪裡可以買票？有甚麼支付方法呢?

1.通過官方票務網站購買
官方票務網站可以使用信用卡，購買後也可以變更日期。

2. 通過預售票處購買
以下預售票處接受現金和其他的支付。在預售票處購買的門票不能變更日期。有關詳細信息，請參考相應的預售票處網站。
-eplus
-北國新聞讀者服務中心
-石川音樂堂售票處
-金澤站旅遊諮詢中心（僅限當日票）
-金澤中央旅遊諮詢中心（僅限當日票）

3.在會場的售票處購買
只有銷售當日票,也有售罄的情況。請事先瞭解。
支付方法只能是現金。

購買的票可以變更日期和時間或取消嗎？

原則上購買後不能變更和退票。但只有在官方票務網站購買的情況下才能變更日期。日期可以變更三次以內。變更手續的受理截至到到場預定日的下午8點45分。請通過QR門票上顯示的「入場日變更」按鈕辦理手續。

但以下情況下不能變更入場日期和時間：
-已經變更了三次日期和時間的票
- 變更為不同種類的票
- 變更為門票售罄日或剩餘數不足日
-購買多張票中，只有一部分門票變更日期
-購買多張票,分別變更到不同的日期
- 變更到票價不同的日期

購買的門票需要列印嗎？

1.持有智能手機的情況
不需要列印門票。請從門票購買完成郵件上記載的URL顯示門票畫面入場。

2.沒有智能手機的情況
請從購票後顯示的門票畫面的「顯示QR門票列印頁面」按鈕列印門票。

入場相關

下雨天也舉辦展覽會嗎？

基本上下雨也進行展覽。但天氣惡劣的情況下，有時會中止舉辦。詳情請查看本頁面及Ishikawa National Cultural Festival 2023 官方網站。

中學生以下的年齡需要大人陪同入場嗎？

中學生不需要陪同入場。小學生需要18歲以上的成年人陪同。

有入場限制嗎？

為了緩和會場內的擁擠，有時會限制入場。

關於會場

有停車場嗎？

沒有停車場。如果您駕車前來，請使用附近的收費停車場。

會場內有洗手間嗎？

您可以使用鶴之丸休息室、公園管理中心以及三之丸北公園內的衛生間。

查看全部

聯系我們

Tickets and general enquiries

KCS
076-224-4141
(Mon-Fri 10:00-18:00 except holidays)

Information booth at the venue

076-208-3077
(Sep 30-Nov 26 16:00-21:30)

對媒體

宣傳資料

注意事項

・本次展覽需要專用的門票。請注意，即使您在金澤城公園內,也請在17:00 前一次退出園外，支付展會的入場費。
・本展覽不包括菱櫓、五十間長屋、橋爪門續櫓、橋爪門、河北門、鼠多門、玉泉庵等內部的入場。
・會場光線較暗，有台階和高低差、也有未鋪裝的地方，建議穿着運動鞋等舒適的鞋子。另外，有輪椅、嬰兒車等不能觀看的區域。請您理解和配合。
・會場內需要步行約 1 公里的距離。到場之前高齡者和殘疾人士請觀察身體狀況，判斷能否參觀。
・如果您身體不適、爛醉如泥，或給其他到場者造成困擾、進行妨礙行為的情況，有時會拒絕參觀展覽。
・持有大件行李的情況下，建議您事先寄存在投幣儲物櫃等之後再到場。
・不能再次入場。
・天氣惡劣的情況下，有時會中止舉辦。詳情請查看本頁面及Ishikawa National Cultural Festival 2023 官方網站。
・公園內禁止吸煙。
・禁止將寵物帶入公園內。（導盲犬除外）
・公園內禁止飲食。
・可以拍照、拍攝視頻及向社交網站投稿，但禁止以下行為。
　閃光攝影、無人機攝影，獨腳架或三腳架的使用，以及給其他客人造成困擾的行為。
・沒有事先同意的商業目的的攝影和取材是拒絕的。
・會場內，鶴之丸休息所、公園管理中心及三之丸北公園的三處設有衛生間。因為衛生間的數量有限，建議您在參觀前先去洗手間。
・會場有出租輪椅。數量有限，敬請諒解。
・請不要進入限制區域（展示區以外）。
・請不要破壞文化財產或石牆。

藝術家

teamLab

teamLab是自2001年起開始活動的藝術團隊。通過團隊創作來探索藝術、科學、技術和自然界交匯點的國際性跨域藝術團隊。由藝術家、程式設計師、工程師、CG動畫師、數學家和建築師等各個領域的專家組成。

teamLab想通過藝術，摸索人與世界的關係和新的認知。人類爲了更好地認知世界，習慣性地把世界分割，並將其視爲具有邊界的事物。我們探索認知的邊界，並試圖超越人類對世界、對時間連續性的邊界的認知。世間萬物都是奇跡般地存在於積年累月且沒有邊界的連續性上的。

teamLab在紐約、倫敦、巴黎、新加坡、矽谷、北京、墨爾本等世界各地舉辦了藝術展。teamLab所開設的大型常設美術館有位於東京台場的「teamLab Borderless」、位於東京豐洲的「teamLab Planets」、位於上海黃浦濱江的「teamLab 無界上海」、位於澳門的「澳門 teamLab 超自然空間」，位於北京的「teamLab無相藝術空間」等等。今後還將有更多的美術館落地在漢堡、烏得勒支、吉達等地。

teamLab的作品被世界各大藝術機構收藏，如墨爾本維多利亞國家美術館（墨爾本）、悉尼新南威爾士州美術館（悉尼）、阿德萊德南澳大利亞藝術畫廊（阿德萊德）、赫爾辛基阿莫斯·雷克斯美術館（赫爾辛基）、舊金山亞洲藝術博物館（舊金山）、洛杉磯現代美術館（洛杉磯）、伊斯坦堡Borusan當代藝術收藏館（伊斯坦堡）、紐約亞洲協會博物館（紐約）。

teamlab.art

Biographical Documents

teamLab is represented by Pace Gallery, Martin Browne Contemporary and Ikkan Art.

主辦單位

Agency for Cultural Affairs, Ministry of Health, Labor and Welfare, Ishikawa Prefecture, Ishikawa Hyakumangoku Cultural Festival 2023 Executive Committee

特別合作

Hokkoku Shimbun