FEATURED WORKS
焰粒子世界 / Universe of Fire Particles
teamLab, 2021, Digital Work, Single channel, Continuous Loop
火焰的形狀會隨著絕對黑色的形態而發生變化。火焰是基於燃燒而產生光和熱的現象，也是流動中被汽化了或被分解了的物質，這是我們在看到現象和物質之間的間隙時的感官體驗。 這種感官上的體驗，使得火焰能夠被我們認知為是一種物體，且有時能夠在其中感受到生命的存在。氣體燃燒所產生的氣流，在空間中描畫出線條，這些線的立體集合構成了火焰， 根據teamLab的 "超主體空間 "概念進行平面化處理而描繪出火焰。teamLab正在摸索「分散型藝術」的理念。當您拿著手機軟件「Distributed Fire」靠近作品中的火焰時，火焰會「點燃」您的手機，您就可以把作品帶回家。而當您將帶回家的火焰靠近其他人的手機時，同樣的火焰會被傳播出去。就這樣把自己得到的火焰傳播給他人，通過他人再次傳播給其他人之後，火焰會在世界各地被廣泛傳播。被廣泛傳播的火焰群體，會描繪出一幅火焰地圖。在「分散型藝術」的理念之下，一些藝術作品會進行自我複製，一些作品會使它的一部分在人們之間傳播。當作品到了人們手中，它就會再次自我複製，人們也會積極使其分散傳播開來。藝術作品在由人構成的人際網絡中傳播並存在，就會成為去中心化藝術。當作品存在於網絡上時，即使原件消失了，它也會繼續存在。
查看更多從空中噴湧而出的焰粒子世界 / Universe of Fire Particles Falling from the Sky
teamLab, 2021, Interactive Digital Installation, W6000mm D6000mm H15000mm, Sound: Hideaki Takahashi
當人們站在作品上的時候，就會產生絕對的黑色，火焰的形狀也會因此發生變化。 作品由於受人們的行為影響，將會是是永遠變化的。火焰是由於燃燒而產生的一種光和熱的現像，並非是一種物質，而是我們看到燃燒這種化學反應時的感官體驗。 這種感官上的體驗，使得火焰能夠被我們認知為是一種物體，且有時能夠在其中感受到生命的存在。氣體燃燒所產生的分子的運動軌跡在空間中描畫出線條，這些線的集合便構成了火焰。 該作品是根據teamLab的 "超主體空間 "概念，將線條的集合體進行平面化地表達而創作的火焰。teamLab正在摸索「分散型藝術」的理念。當您拿著手機軟件「Distributed Fire」靠近作品中的火焰時，火焰會「點燃」您的手機，您就可以把作品帶回家。而當您將帶回家的火焰靠近其他人的手機時，同樣的火焰會被傳播出去。就這樣把自己得到的火焰傳播給他人，通過他人再次傳播給其他人之後，火焰會在世界各地被廣泛傳播。被廣泛傳播的火焰群體，會描繪出一幅火焰地圖。在「分散型藝術」的理念之下，一些藝術作品會進行自我複製，一些作品會使它的一部分在人們之間傳播。當作品到了人們手中，它就會再次自我複製，人們也會積極使其分散傳播開來。藝術作品在由人構成的人際網絡中傳播並存在，就會成為去中心化藝術。當作品存在於網絡上時，即使原件消失了，它也會繼續存在。
查看更多Universe of Fire Particles in a Decaying Underground Passage
teamLab, 2021, Digital Installation, Sound: Hideaki Takahashi
A long-forgotten underground passage has recently been discovered, and the depths of the passage are decaying. In this space that is crumbling and losing its original structure, a fire burns eternally.The forest above the underground passage is home to 3,000-year-old trees, and it changes daily with the imperceptible, slow flow of time and with each year passing year, as a space where the endlessly long time accumulates. The ruins from ages past scattered in the forest and the Edo-period garden which remains today each have their own respective space-times. The forgotten underground tunnel is a space where time seems to have stopped, and the depths of the passage are a decaying space and time that will not exist for much longer. The fire that eternally burns there also has its own space and time.Here, various space-times intersect and overlap.The fire changes shape due to a transparent absolute presence.Lines are drawn in relation to the flow of combusting gas, and the flames are created by the accumulation of those lines in three-dimensions. The lines are then “flattened” using what teamLab considers to be Ultrasubjective Space to represent the flames.teamLab is exploring the concept of Distributed Art.If you launch the Distributed Fire smartphone application and approach this artwork, the flame will ignite and you can take the artwork home with you. When you bring that flame close to another person's smartphone, a flame will alight. As you connect the flame, and they connect that flame with someone else, the flame will spread all over the world. The flames that are spread are displayed on the Map of The Flame.Distributed Art duplicates itself, or a part of an artwork is distributed among people. Then, once in the hands of the people, the artwork is further actively distributed, and also makes copies of itself. The artworks will be distributed and exist on people's networks and become decentralized. When the artwork exists on the network, it continues to exist even if the original disappears.
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