teamLab: Digitized Kanazawa Castle | teamLab

Name: teamLab: Digitized Kanazawa Castle
Start: 2023-09-30
End: 2023-11-26
Location: 金泽城公园

既往展览

2023.09.30(Sat) - 11.26(Sun)金泽城公园, 金泽, 石川

#teamLabKanazawa

READ ME BEFORE YOU VISIT

Details about the exhibition today (e.g. closure due to severe weather conditions)

既往展览

2023.09.30(Sat) - 11.26(Sun)金泽城公园, 金泽, 石川

READ ME BEFORE YOU VISIT

#teamLabKanazawa

Details about the exhibition today (e.g. closure due to severe weather conditions)

teamLab: Digitized Kanazawa Castle
Kanazawa Castle was the residence of the Maeda clan for 14 generations, from the end of the Sengoku period (1467 - 1590) through the Edo period (1603 - 1868). As it was initially built in 1546 as a base for the Ikko Ikki (a group of monks from the branch of Jodo Shinshu Buddhism called Ikko-shu that rose to national power), it was originally known as “Kanazawa Mido*” (or “Oyama Gobo**”).  However, once Maeda Toshiie, one of Oda Nobunaga’s retainers, took over the Kaga domain (which corresponded roughly to present-day Ishikawa and Toyama prefectures), the building was reconstructed as a castle under the supervision of Takayama Ukon, known as the Kirishitan (Catholic) daimyo. Since then, the castle underwent multiple fires and lost its main castle tower when it was hit by lightning in 1602. The building was used as a base for the army after the Meiji restoration and once the war was over, it became one of Kanazawa University’s campuses. Over time, Kanazawa Castle has served as a place for religion, politics, war, and learning, and with this exhibition, is transformed into an art space where the past and present intersect, changing through the interactions and existence of the people of today.

This exhibition is a part of teamLab’s Digitized City art project, in which teamLab explores how non-material digital technology can turn a city and its buildings into art without physically altering it.

teamLab: Digitized Kanazawa Castle will transform the grounds and historic castle of Kanazawa into an art space that transforms interactively. The artworks are influenced by the wind and rain, as well as by the behavior of people, making nature and the people become a part of the artworks, and a part of the long continuity of time. 

The artworks, people, and nature; the self and others; the past and the present; all form a continuity without boundaries.

*meaning: Kanazawa Temple

**meaning: Oyama Temple. Oyama was the former name of Kanazawa city

#teamLabKanazawa

View Instagram

作品

Animals of Flowers, Symbiotic Lives in the Stone Wall - Kanazawa Castle

The animals are formed from the stone walls and the flowers that bloom and die in a continuous cycle. Seasonal flowers bloom while slowly changing. If too many petals scatter, the animals will die and fade away.

Enso on Ancient Stone Wall

Among the stone walls of Kanazawa Castle there is a north-facing stone wall, Higashi no Maru (built around 1592-1595), that was constructed with the oldest technique of Nomenzumi (a method of stacking natural stones as they are). In this artwork, Enso is drawn infinitely on this Stone Wall.

The black lines drawn with light express the absence of light, and cannot be distinguished from the shadows of the stone walls that have been weathered over the past several hundred years. The black calligraphy and the black shadows created by the long passing of time become one, infinitely drawing Enso on the stone walls.
Enso blurs the physical boundaries of the Fushimi Yagura turret, and creates a new time space.

Enso is the Zen practice of drawing a circle with a single brushstroke. This artwork depicts Enso drawn as Spatial Calligraphy. As the three-dimensional stroke rotates, there are moments when its circular shape is revealed.
Spatial Calligraphy is a form of calligraphy drawn in space that teamLab has been exploring since it was founded. The artwork reconstructs calligraphy in three-dimensional space to express the depth, speed, and power of the brushstroke.

Back in ancient times, Enso was drawn in space using sticks, to symbolize the concepts of enlightenment, truth, the universe, and equality, in a figurative manner. The circle is also a reflection of the viewer’s inner self, thus its interpretation depends on the viewer.

Walk, Walk, Walk - Kanazawa Castle

A group of anonymous and diverse figures walk along the stone wall of Kanazawa Castle.

Viewers will make choices, as they confront the figures.

“Hoho kore dojo” is a Zen expression on how every step is a place to learn. The figures in the artwork walk endlessly while confronting new situations. When people walk towards the figures, they will also confront new situations or new characters along their way.

The artwork is not a pre-recorded image that is played back: it is created by a computer program that continuously renders the work in real time. Previous visual states can never be replicated, and will never reoccur. The picture at this moment can never be seen again.

直立并呼应的生命和呼应之树 / Autonomous Resonating Life and Resonating Trees

放置在古城遗迹中的持续不断站立的发光蛋状物和遗迹中的树木一起发出光芒。每棵树上的光会个别自我行动，像是在呼吸一样一下发出强烈光芒，一下变得灰暗。
当发光的蛋状物被人推倒时，光的颜色会改变，并且发出特别的音色。而且光也会和附近的蛋状物以及树木互相呼应。被传播的光会使之发出相同的音色，同时与周围的蛋状物和树木相接连并呼应扩散开来。之后，与周围的“Breathing Resonating Stone Wall – Kochi Castle”也会相互呼应。

当光芒从另一方延展过来时，就表示另一方有人在的意思。当光芒从山的方向延展过来时，就表示山那边有人在。这么一来人们应该会比平常更加意识到相同空间内其他人们的存在吧。

呼应之树 / Resonating Trees

树木闪烁着光芒。群树之光会个别自律行动，缓慢的，忽明忽暗。

当人们从附近经过时，光芒的颜色会发生变化，并发出特有的音色。群树发出的光芒向周围的树木传播并发出音色，不断连续下去。

当光芒从树木的深处延展过来时，就表示另一方有人在。这么一来人们一定会比平常更加意识到相同空间内他人的存在吧。

Inui Turret Stone Wall

The musical experience changes depending on the pace at which you walk.

Giant Solidified Spark

Reality is not what we see. What we see is a world that we are capable of perceiving.

A sphere made of accumulated rays of light.
The light radiates from the center in infinite fine rays, creating its spherical shape. The light source remains motionless, yet the countless lines emitting from it wriggle continuously.

The sphere has no surface boundary, and the perception of the boundary between the artwork and the body is ambiguous. When you try to touch a sphere, your hand goes into the sphere as it does not have a physical boundary.

What is this sphere? Why do the rays wriggle?
Our world is within us.

And once we recognize this sphere made of accumulated lines, our perception of the world expands, and we will begin to notice them wherever we go.

Sketch Generals

A park where historical generals drawn by everyone gather together. The figures featured in this artwork are associated with Kanazawa.

Color in a general on the paper provided, such as Maeda Toshiie, Maeda Matsu (Omatsu no Kata), Takayama Ukon, Maeda Toshinaga, Tamahime, Oda Nobunaga, Tokugawa Ieyasu, Toyotomi Hideyoshi. See the picture you have drawn come to life in the massive park in front of you.

If you touch a general, their famous quote will appear in a speech bubble.

■How to interact with the artwork
1: Draw and color in your favorite general.
2: Scan the colored drawing.
3: Watch the historical figures come to life as they walk around the park.
4: Touch a general to read their famous quote.

彩绘工坊

Turn your own drawing into a souvenir to take home with you.
The historical figures you draw and bring to life in Sketch Generals will be made into an original tin badge.

参观指南

Update

Details about the exhibition today
Please check here regarding details about the exhibition today (e.g. closure due to severe weather conditions)

到场之前请先阅读以下内容
・会场内光线较暗，有楼梯及高低差、也有未铺装的地方，建议穿着运动鞋等舒适的鞋子。另外，有使用轮椅、婴儿车等人士不能参观的区域。请您理解和配合。
・天气恶劣的情况下，有时会中止举办。详情请查看本页面及Ishikawa National Cultural Festival 2023官方网站。

关于入场口
・入场口只有石川门口。其他入口（鼠多门口、玉泉院丸口、黑门口、大手门口）都不能入场。敬请注意。

关于当日票
・展览期间，在金泽城公园石川门问讯处附近的会场售票处以外、还在金泽站旅游咨询中心、金泽中央旅游咨询中心出售当日门票。预计会场的售票处会很拥挤，建议提前购买门票。
・门票有售罄的情况。但有当日票的情况下，即使是当天，也能在官方票务网站上购买。

会场信息

teamLab: Digitized Kanazawa Castle

展期

2023.09.30(Sat) - 11.26(Sun)

开馆时间

18:00 - 21:30 (最晚入馆时间为 20:45)

Ticket Sales

①官方票务网站

②预售票处
eplus、北国新闻读者服务中心、石川音乐堂售票处、金泽站旅游咨询中心（仅限当日票）、金泽中央旅游咨询中心（仅限当日票）

③会场的售票处（仅限当日票）

・门票是日期指定票。
・购票后，因顾客原因不能取消或退款。
・只有在官方票务网站上购买的门票才能更改日期。
・持有残疾人手册的人
持残疾人手册的人员和一名同行者可购买残疾人折扣票（第一类残疾者、第一类智障人士、及第一类精神障碍者的一名看护人员可以免费陪同入场）
*只有在日本国内发放的残疾人手册有效。
*我们将在入场口进行残疾人手册的确认。请与您的陪同人员一起入场。
*除了残疾人手册以外，还可以使用Mirairo ID。
・小学生以下需要18岁以上的成年人陪同。
・门票有售罄的情况。
・eplus、北国新闻读者服务中心及石川音乐堂售票处都不出售当日票。

网站

Ishikawa Hyakumangoku Cultural Festival 2023

交通指南

地址

金泽城公园
石川县金泽市丸之内1-1

Map

地址用当地语言:

金沢城公園
石川県金沢市丸の内1-1

放大

常见问题

票务相关

可以当天买票吗？

展览期间，在金泽城公园石川门问讯处附近的会场售票处以外，还有金泽站旅游咨询中心、金泽中央旅游咨询中心出售当日票。预计会场的售票处会很拥，建议提前购买门票。有当日票的情况下，即使是当天，也能在官方票务网站上购买。

在哪里可以买票？有什么支付方法呢？

1.通过官方票务网站购买
官方票务网站可以使用信用卡，购买后也可以变更日期。

2. 通过预售票处购买
以下预售票处接受现金和其他的支付。预售票处购买的票不能变更日期。有关详细信息，请参考相应的预售票处网站。
-eplus
-北国新闻读者服务中心
-石川音乐堂售票处
-金泽站旅游咨询中心（仅限当日票）
-金泽中央旅游咨询中心（仅限当日票）

3.在会场的售票处购买
只有销售当日券。也有售罄的情况。请事先了解。
支付方法只能是现金。

购买的票可以变更日期和时间或取消吗？

原则上购买后不能变更和退票。但只有在官方票务网站购买的情况下才能变更日期。日期可以变更三次以内。变更手续的受理截至到到场预定日的下午8点45分。请通过QR门票上显示的「入场日变更」按钮办理手续。
但以下情况下不能变更入场日期和时间：
-已经变更了三次日期和时间的票
- 变更为不同种类的票
- 变更为门票售罄日或是剩余数不足日
-购买多张票中，只有一部分门票变更日期
-购买多张票，分别变更到不同的日期
- 变更到票价不同的日期

购买的门票需要打印吗？

1.持有智能手机的情况
不需要打印门票。请从门票购买完成邮件上记载的URL显示门票画面入场。

2.没有智能手机的情况
请从购票后显示的门票画面的「显示QR门票打印页面」按钮打印门票。

入场相关

下雨天也举办展览会吗？

基本上下雨也进行展览。但天气恶劣的情况下，有时会中止举办。详情请查看本页面及Ishikawa National Cultural Festival 2023 官方网站。

中学生以下的年龄需要大人陪同入场吗？

中学生不需要陪同入场。小学生需要18岁以上的成年人陪同。

有入场限制吗？

为了缓和会场内的拥挤，有时会限制入场。

关于会场

有停车场吗？

没有停车场。如果您驾车前来，请使用附近的收费停车场。

会场内有洗手间吗？

您可以使用鹤之丸休息室、公园管理中心以及三之丸北公园内的卫生间。

查看全部

联系我们

Tickets and general enquiries

KCS
076-224-4141
(Mon-Fri 10:00-18:00 except holidays)

Information booth at the venue

076-208-3077
(Sep 30-Nov 26 16:00-21:30)

对媒体

宣传资料

注意事项

・本次展览需要专用门票。请注意，即使您在金泽城公园内，也请在17:00 前一次退出园外，支付展会的入场费。
・本展览不包括菱橹、五十间长屋、桥爪门续橹、桥爪门、河北门、鼠多门、玉泉庵等内部的入场。
・会场光线较暗，有楼梯及高低差、也有未铺装的地方，建议穿着运动鞋等舒适的鞋子。另外，有轮椅、婴儿车等不能观看的区域。请您理解和配合。
・会场内需要步行约 1 公里的距离。到场之前高龄者和残疾人士请观察身体状况，判断能否参观。
・如果您身体不适、烂醉如泥，或给其他到场者造成困扰、进行妨碍行为的情况，有时会拒绝参观展览。
・持有大件行李的情况下，建议您事先寄存在投币储物柜等之后再到场。
・不能再次入场。
・天气恶劣的情况下，有时会中止举办。详情请查看本页面及Ishikawa National Cultural Festival 2023 官方网站。
・公园内禁止吸烟。
・禁止将宠物带入公园内。（导盲犬除外）
・公园内禁止饮食。
・可以拍照、拍摄视频及向社交网站投稿，但禁止以下行为。
　闪光摄影、无人机摄影，独脚架或三脚架的使用，以及给其他客人造成困扰的行为。
・没有事先得到许可的商业目的的摄影和取材是拒绝的。
・会场内，鹤之丸休息所、公园管理中心及三之丸北公园的三处设有卫生间。因为卫生间的数量有限，建议您在参观前先去洗手间。
・会场有出租轮椅。数量有限，敬请谅解。
・请不要进入限制区域（展示区以外）。
・请不要破坏文化财产或石墙。

艺术家

teamLab

teamLab是自2001年起开始活动的艺术团队。通过团队创作来探索艺术、科学、技术和自然界交汇点的国际性跨域艺术团队。由艺术家、程序员、工程师、CG动画师、数学家和建筑师等各个领域的专家组成。

teamLab想通过艺术，摸索人与世界的关系和新的认知。人类为了更好地认知世界，习惯性地把世界分割，并将其视为具有边界的事物。我们探索认知的边界，并试图超越人类对世界、对时间连续性的边界的认知。世间万物都是奇迹般地存在于积年累月且没有边界的连续性上的。

teamLab在纽约、伦敦、巴黎、新加坡、硅谷、北京、墨尔本等世界各地举办了艺术展。teamLab所开设的大型常设美术馆有位于东京台场的“teamLab Borderless”、位于东京丰洲的“teamLab Planets”、位于上海黄浦滨江的“teamLab 无界上海”、位于澳门的“澳门 teamLab 超自然空间”，位于北京的“teamLab无相艺术空间”等等。今后还将有更多的美术馆落地在汉堡、乌得勒支、吉达等地。

teamLab的作品被世界各大艺术机构收藏，如墨尔本维多利亚国家美术馆（墨尔本）、悉尼新南威尔士州美术馆（悉尼）、阿德莱德南澳大利亚艺术画廊（阿德莱德）、赫尔辛基阿莫斯·雷克斯美术馆（赫尔辛基）、旧金山亚洲艺术博物馆（旧金山）、洛杉矶现代美术馆（洛杉矶）、伊斯坦布尔Borusan当代艺术收藏馆（伊斯坦布尔）、纽约亚洲协会博物馆（纽约）。

teamlab.art

Biographical Documents

teamLab is represented by Pace Gallery, Martin Browne Contemporary and Ikkan Art.

主办单位

Agency for Cultural Affairs, Ministry of Health, Labor and Welfare, Ishikawa Prefecture, Ishikawa Hyakumangoku Cultural Festival 2023 Executive Committee

特别合作

Hokkoku Shimbun