Art Fair Philippines 2019 | teamLab

Name: Art Fair Philippines 2019
Start: 2019-02-22
End: 2019-02-24
Location: The Globe Platinum Booth & Gajah Gallery (Booth 57), The Link Ayala Center Makati

Art Fair Philippines 2019

EXPOSICIÓN ANTERIOR

2019.02.22(Fri) - 02.24(Sun) The Globe Platinum Booth & Gajah Gallery (Booth 57), The Link Ayala Center Makati, Manila

Art Fair Philippines 2019

EXPOSICIÓN ANTERIOR

2019.02.22(Fri) - 02.24(Sun) The Globe Platinum Booth & Gajah Gallery (Booth 57), The Link Ayala Center Makati, Manila

OBRAS

Reversible Rotation - Black in White

The Spatial Calligraphy in this artwork space rotates in the same direction, but because of the characteristics of Ultrasubjective Space, visually, the clockwise and counterclockwise rotation are logically equivalent. Hence, the work can appear to be rotating in either direction depending on how the viewer chooses to look at it.
Spatial Calligraphy is a form of calligraphy drawn in space that teamLab has been exploring since it was founded. The artwork reconstructs calligraphy in three dimensional space to express the depth, speed and power of the brush stroke, and that calligraphy is then flattened using the logical structure of space that teamLab calls Ultrasubjective Space. The calligraphy shifts between two and three dimensions.

Gold Waves

The movement of waves in water is simulated in a computer-generated three-dimensional space. The water is expressed as a continuous body after calculating the interactions of hundreds of thousands of particles. To visualize the waves, the behavior of the particles of the water was then extracted and lines were drawn in relation to the movement of the particles. The wave created in a 3-D space is then turned into an artwork in accordance with what teamLab refers to as ultrasubjective space.
In premodern Japanese painting, oceans, rivers, and other bodies of water were expressed as a series of lines. These lines give the impression of life, as though water was a living entity.  
This form of expression leads us to question why premodern people sensed life in rivers and oceans. Also, why did they behave as if they themselves were a part of nature? Perhaps something can be discovered by fusing the fixed objective world of today’s common knowledge with the subjective world of premodern people.
While viewing this artwork, if we feel a sense of life in the collection of lines—what can be called the subjective world of premodern people—then perhaps this is one aspect of objective recognition.
When viewing this artwork, as opposed to watching waves shot with a video camera, people may feel that the barrier between themselves and the waves disappears. They feel immersed in the work, perhaps even feeling life in the collection of lines, as if the waves are luring them in. Perhaps we can find a connection to the way premodern Japanese people perceived the world and consequently behaved toward the world.
If we regard ourselves as a part of nature, and consider nature not just as something to be observed, we might join premodern people in perceiving rivers and oceans as living entities. This is a way of seeing the world that lures us in and allows us to feel that there is no boundary between ourselves and nature.

VISITE

Información del Lugar

Art Fair Philippines 2019

Duración

2019.02.22(Fri) - 02.24(Sun)

Horario

Collectors’ Preview (by invitation only)
Thursday, February 21 14:00 - 17:00

Vernissage
Thursday, February 21 19:00 - 22:00

Public Fair Days
Friday, February 22 10:00 - 21:00
Saturday, February 23 10:00 - 21:00
Sunday, February 24 10:00 - 21:00

Entrada

Tickets

PhP 350.00 (Entrance Fee)

Concession Tickets

PhP 150.00 (Students with valid IDs)

PhP 100.00 (Makati Students with valid IDs)

• Tickets will be available on-site from February 22 to 24, 2019 at the 4th Floor Reception.

• Concession tickets (students, PWDs and senior citizens) are only available on-site upon presentation of valid IDs.

• For group bookings of more than 10 persons, please email in advance secretariat@artfairphilippines.com.

Access

MRT
Ayala Station is 700 meters away, approximately a 9 minute walk.

Bus
Option (A): Via Buendia- BUS STOP is at Rustans Glorietta, 500 meters away, approximately a 7 minute walk.
Option (B): BUS STOP is at Ayala Station MRT stop, 700 meters away, approximately a 9 minute walk.

Parking
• 6750 Building Parking
• Glorietta 3 Basement Parking
• Rustan's Steel Parking

Inquiry

Ikkan Art Gallery
info@ikkan-art.com
http://www.ikkan-art.com

URL

Art Fair Philippines 2019
https://artfairphilippines.com/

Acceso

Lugar

The Link Ayala Center Makati, Manila, Philippines

• The Globe Platinum Booth: Reversible Rotation - Continuous, Black in White

• Booth 57 (Gajah Gallery): Gold Waves

Map

CONTACTO

A los Medios

kits de Prensa

ARTISTA

teamLab

teamLab (f. 2001) is an international art collective. Their collaborative practice seeks to navigate the confluence of art, science, technology, and the natural world. Through art, the interdisciplinary group of specialists, including artists, programmers, engineers, CG animators, mathematicians, and architects, aims to explore the relationship between the self and the world, and new forms of perception.

In order to understand the world around them, people separate it into independent entities with perceived boundaries between them. teamLab seeks to transcend these boundaries in our perceptions of the world, of the relationship between the self and the world, and of the continuity of time. Everything exists in a long, fragile yet miraculous, borderless continuity.

teamLab’s works are in the permanent collection of the National Gallery of Victoria, Melbourne; Art Gallery of New South Wales, Sydney; Art Gallery of South Australia, Adelaide; National Gallery of Australia, Canberra;  Amos Rex, Helsinki; Museum of Contemporary Art, Los Angeles; Asian Art Museum, San Francisco; Borusan Contemporary Art Collection, Istanbul; and Asia Society Museum, New York, among others.

teamlab.art

Biographical Documents

teamLab is represented by Pace Gallery, Martin Browne Contemporary and Ikkan Art.