Sydney Contemporary 2022 | teamLab

Name: Sydney Contemporary 2022
Start: 2022-09-08
End: 2022-09-11
Location: Carriageworks

Sydney Contemporary 2022

PAST EXHIBITION

Sep 08 - Sep 11, 2022Carriageworks, Sydney

Sydney Contemporary 2022

PAST EXHIBITION

Sep 08 - Sep 11, 2022Carriageworks, Sydney

ARTWORKS

The World of Irreversible Change

This work is both somewhere in time and here and now.

The world of the artwork changes with the real time of its location. Morning arrives in the artwork with the sunrise in the real world, and when the sun sets, evening begins. If it rains in the real world of the work’s location, it rains in the world of the artwork, and the flora that grow in the artwork change every day with each passing season.
The people’s lives also change continuously depending on the time of day and weather of the real world, and the festivals and events that are celebrated change with the seasons. Various stories take place every day, and the lives of people continue eternally.

The actions of viewers influence the world of the artwork. The people in the artwork respond when a viewer touches them, but if the interaction is limited, they return to their daily lives.
If the interaction is continuous, however, fights break out amongst the people in the artwork that are near to each other, leading to deaths. The fighting spreads throughout the city, which becomes engulfed in flames that last for over a year. As the city burns to the ground, the people in the artwork eventually die out.

In the ruined city where not a single person remains, the seasons still pass and the sun rises and sets with the time of the real world. After a few months, new flora begin to grow in the burnt ruins of the city.
The flora grow, bloom, and scatter repeatedly, changing daily with the real passage of time. The flowers and plants grow deeply over the course of a long period, and the flowers change throughout every year, continuing in perpetuity.

Once the world of this artwork begins to burn, the world from before can never be returned to.
The people who interact with the artwork cause this outcome.

Universe of Fire Particles

The flames of Universe of Fire Particles change shape due to a black absolute presence.

Flames are a phenomenon of light and heat generated by combustion; it is a vaporized substance in a flow, a decomposed substance. It is our sensory experience of seeing what is in between phenomenon and substance.

Lines are drawn in relation to the flow of combusting gas, and the flames are created by the accumulation of those lines in three-dimensions. The lines are then “flattened” using what teamLab considers to be Ultrasubjective Space to represent the flames.

teamLab is exploring the concept of Distributed Art.
If you launch the Distributed Fire smartphone application and approach this artwork, the flame will ignite and you can take the artwork home with you. When you bring that flame close to another person's smartphone, a flame will alight. As you connect the flame, and they connect that flame with someone else, the flame will spread all over the world. The flames that are spread are displayed on the Map of The Flame.

Distributed Art duplicates itself, or a part of an artwork is distributed among people. Then, once in the hands of the people, the artwork is further actively distributed, and also makes copies of itself. The artworks will be distributed and exist on people's networks and become decentralized. When the artwork exists on the network, it continues to exist even if the original disappears.

Flowers and People − A Whole Year per Hour

A year’s worth of seasonal flowers bloom over the course of an hour, continuously scattering and changing.

Flowers are born, bloom, then in the course of time, they wither and die. The flowers are eternally repeating the process of life and death. When people move in front of the artwork, the flowers scatter all at once. But when people stand still, flowers bloom and grow more abundantly.

The artwork is not a pre-recorded image that is played back: it is created by a computer program that continuously renders the work in real time. The interaction between people and the installation causes continuous change in the artwork: previous visual states can never be replicated, and will never reoccur. The picture at this moment can never be seen again.

In spring in the Kunisaki Peninsula, there are many cherry blossoms in the mountains and canola blossoms at their base. This experience of nature caused teamLab to wonder how many of these flowers were planted by people and how many were native to the environment. It is a place of great serenity and contentment, but the expansive body of flowers is an ecosystem influenced by human intervention, and the boundary between the work of nature and the work of humans is unclear. Rather than nature and humans being in conflict, a healthy ecosystem is one that includes people. In the past, people understood that they could not grasp nature in its entirety, and that it is not possible to control nature. People lived more closely aligned to the rules of nature that created a comfortable natural environment. We believe that these valleys hold faint traces of this premodern relationship with nature that once existed, and we hope to explore a form of human intervention based on the premise that nature cannot be controlled.

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Venue Details

Sydney Contemporary 2022

Term

Sep 08 - Sep 11, 2022

Hours

Opening Night
Sep 08 17:30 – 21:00

Friday Night Art Night
Sep 09 17:30 – 21:00

General Opening Hours
Sep 08 11:00 – 17:00
Sep 09 12:00 – 17:00
Sep 10 11:00 – 18:00
Sep 11 11:00 – 17:00

Website

Sydney Contemporary

ACCESS

Address

Carriageworks
245 Wilson Street, Eveleigh, Sydney

Map

For Media

Press Kit

ARTIST

teamLab

teamLab (f. 2001) is an international art collective. Their collaborative practice seeks to navigate the confluence of art, science, technology, and the natural world. Through art, the interdisciplinary group of specialists, including artists, programmers, engineers, CG animators, mathematicians, and architects, aims to explore the relationship between the self and the world, and new forms of perception.

In order to understand the world around them, people separate it into independent entities with perceived boundaries between them. teamLab seeks to transcend these boundaries in our perceptions of the world, of the relationship between the self and the world, and of the continuity of time. Everything exists in a long, fragile yet miraculous, borderless continuity.

teamLab’s works are in the permanent collection of the National Gallery of Victoria, Melbourne; Art Gallery of New South Wales, Sydney; Art Gallery of South Australia, Adelaide; National Gallery of Australia, Canberra;  Amos Rex, Helsinki; Museum of Contemporary Art, Los Angeles; Asian Art Museum, San Francisco; Borusan Contemporary Art Collection, Istanbul; and Asia Society Museum, New York, among others.

teamlab.art

Biographical Documents

teamLab is represented by Pace Gallery, Martin Browne Contemporary and Ikkan Art.