teamLab: Dance! Art Exhibition, Learn & Play! Future Park | teamLab

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VERGANGENE AUSSTELLUNGs

2017.07.08(Sat) - 11.30(Thu)OCT Harbour-OCT Creative Exhibition Center, Shenzhen

メイン画像

VERGANGENE AUSSTELLUNGs

2017.07.08(Sat) - 11.30(Thu)OCT Harbour-OCT Creative Exhibition Center, Shenzhen

“teamLab: Dance! Art Exhibition, Learn & Play! Future Park” is a large-scale exhibition that is designed to stimulate people’s creativity and collaborative minds with a form of Future Park. Combining art exhibitions and futuristic amusement park, this exhibition attracted more than 460,000 visitors when firstly opened in Odaiba, Tokyo, in 2015. It was awarded ‘TOP 10 art exhibitions of 2015‘ from the world’s biggest creative media ‘designboom.

‘The Living Digital Space and Future Parks’, the 2nd exhibition that is currently being held in Silicon Valley, reportedly destroyed the long-lasting anti-art tradition of the west coast. Marina Bay Sands, the world's biggest hotel complex located in Singapore, is home to a permanent exhibition since March 2016. The news is covered by numerous local media, including 2 top national newspapers in Singapore. teamLab’s exhibition has been opened also in Thailand from May. From August, teamLab opened their second permanent exhibition at Lotte World (Seoul, South Korea).

Dance! Art Exhibition

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Animals of Flowers, Symbiotic Lives

Flowers grow from the bodies of animals. The flowers bud, bloom, scatter and fade away.When people touch the animals the flowers scatter. Once all of the flowers have scattered the animals disappear.

Gold Waves

The movement of waves in water is simulated in a computer-generated three-dimensional space. The water is expressed as a continuous body after calculating the interactions of hundreds of thousands of particles. To visualize the waves, the behavior of the particles of the water was then extracted and lines were drawn in relation to the movement of the particles. The wave created in a 3-D space is then turned into an artwork in accordance with what teamLab refers to as ultrasubjective space.
In premodern Japanese painting, oceans, rivers, and other bodies of water were expressed as a series of lines. These lines give the impression of life, as though water was a living entity.  
This form of expression leads us to question why premodern people sensed life in rivers and oceans. Also, why did they behave as if they themselves were a part of nature? Perhaps something can be discovered by fusing the fixed objective world of today’s common knowledge with the subjective world of premodern people.
While viewing this artwork, if we feel a sense of life in the collection of lines—what can be called the subjective world of premodern people—then perhaps this is one aspect of objective recognition.
When viewing this artwork, as opposed to watching waves shot with a video camera, people may feel that the barrier between themselves and the waves disappears. They feel immersed in the work, perhaps even feeling life in the collection of lines, as if the waves are luring them in. Perhaps we can find a connection to the way premodern Japanese people perceived the world and consequently behaved toward the world.
If we regard ourselves as a part of nature, and consider nature not just as something to be observed, we might join premodern people in perceiving rivers and oceans as living entities. This is a way of seeing the world that lures us in and allows us to feel that there is no boundary between ourselves and nature.

Forest of Resonating Lamps - One Stroke

This artwork, in which lamps are seemingly scattered in a random manner, is composed of resonating light that changes based on the relationship between the people in the artwork space. It is a work that expresses the beauty of continuity.
When a person stands still close to a lamp, it shines brightly and emits a sound. The light spreads to the two closest lamps, which in turn similarly emit a sound, spreading their light to the lamps nearest to them. The light, now divided into two, will pass through all of the lamps in the room once, creating a single trajectory of light. The light created by your presence and light created by the presence of others, will always intersect.
Although the lamps may seem randomly scattered, they have been intentionally placed so that regardless of the light’s starting point, or even if the light spreads endlessly, a smooth trajectory of light will always be created, crossing trajectories of light created by other people. 
More specifically, the arrangement of the lamps is mathematically determined. When drawing a line between lamps that are closest to each other, the distribution in height, direction of the lamp, and the smoothness of the three-dimensional trajectory is quantified in order to create a unicursal line with the same starting and ending point.
As a result, a lamp’s light triggered by a person’s presence will, regardless of the fact that it is only spreading to the closest lamps, always pass through every lamp only once. The light will always cross the light created by others, and return to the original lamp that started its trajectory.
The arrangement of the lamps may appear random, but it is to express the beauty of the continuity of light, created by people interacting with the lamps from any position.

Universe of Water Particles

Universe of Water Particles is a virtual waterfall created in a virtual 3-D space using teamLab’s concept of ultrasubjective space, a term that refers to the depiction of space found in premodern Japanese painting.

Computer-generated water consisting of hundreds of thousands of water particles is virtually poured onto a virtually sculpted rock. The computer calculates the movement of the particles to produce a simulation of water that flows in accordance with the laws of physics. Lines are drawn in relation to a selection of 0.1% of the particles. The sinuousness of the lines depends on the overall interaction of the water particles.

In premodern Japanese painting, oceans, rivers, and other bodies of water were expressed using a series of lines. These lines give the impression of movement and life, as though water was a living entity. This form of expression leads us to explore why premodern people sensed life in rivers and oceans. Universe of Water Particles fuses the objective world of today’s knowledge with the subjective world of premodern people.

When viewing this artwork, regardless of the fact that the waterfall is a reproduction of physical phenomena, it can be possible to feel a sense of life in the collection of lines.

If, when viewing this artwork—as opposed to a video of a waterfall shot with a video camera—people feel the barrier between themselves and the waterfall dissolve, they become immersed in the work as if the waterfall is luring them in. Perhaps we can find a connection to the way premodern Japanese people perceived the world and consequently behaved towards it.

If we regard ourselves as part of nature, and consider nature as something not just to be observed, it is possible to feel that there is no boundary between ourselves and nature.

Crystal Universe

Pointillism uses an accumulation of distinct dots of color to create a picture, here light points are used to create three-dimensional objects. This interactive artwork expresses the universe through accumulated light points.

People can use their smartphones to select elements that make up the universe by dragging them and releasing them into The Crystal Universe. Each element of the universe sent into the work influences that of other elements and is influenced by the presence of people in the space.

This artwork is forever evolving, changing moment to moment due to the people in the space.

Crows are Chased and the Chasing Crows are Destined to be Chased as well: Cosmic Void

This work is to be viewed from a position close to the entrance of the space.
The artwork begins when Crows are Chased and the Chasing Crows are Destined to be Chased as well: Flying Beyond Borders enters the Cosmic Void. When it ends, the crows leave the space.
If you stand at the position close to the entrance, the boundary between the wall and the floor disappears and the real world dissolves, making the lines drawn by the trails of the crows appear three-dimensional. Eventually the body becomes immersed in the world of the artwork, and the boundary between the artwork and viewer dissolves as well.
Flocks of mythical crows (Yatagarasu) rendered in light fly around the space leaving trails in their wake and forming Spatial Calligraphy. The chasing crows are eventually chased themselves, and form flowers when they crash into each other, scattering their petals. Although the crows usually avoid crashing into people in the space, when they happen to do so, they similarly form flowers, scattering their petals.

Flowers and People, Cannot be Controlled but Live Together – A Whole Year per Hour

The seasons co-exist and change gradually across the installation space.
Flowers blossom according to the seasons, and the places where they grow gradually change.

The flowers bud, grow, and blossom before they begin to wither and their petals eventually scatter, repeating the cycle of life and death in perpetuity. If a person stays still, the flowers surrounding them grow and bloom more abundantly than usual, but if people touch or step on the flowers, they shed their petals, wither, and die all at once. Sometimes the flowers cross the boundaries of other works and bloom in other spaces, but scatter or die due to the influence of other works.

The artwork is not a pre-recorded image that is played back; it is created by a computer program that continuously renders the work in real time. The interaction between people and the installation causes continuous change in the artwork, so previous visual states can never be replicated, and will never reoccur. The picture at this moment can never be seen again.

In spring in the Kunisaki Peninsula, there are many cherry blossoms in the mountains and canola blossoms at their base. A visit to this region led teamLab to wonder how much of these flowers were planted by people and how much of them were native to the environment. It was a place of great serenity and contentment. The expansive body of flowers is an ecosystem influenced by human intervention, and the boundary between the work of nature and the work of humans is unclear. Rather than nature and humans being in conflict, a healthy ecosystem is one that includes people. In the past, people understood that they could not grasp nature in its entirety, and that it is not possible to control nature. People lived more closely aligned to the rule of nature, which perhaps created a comfortable natural environment. We believe that these valleys hold faint traces of this premodern relationship with nature that once existed, and we hope to explore a form of human intervention based on the premise that nature cannot be controlled.

Cold Life

A calligraphic series of brush strokes modeled in virtual 3-D space forms the character 生 (Japanese/Chinese for life) which transforms into a tree. As time passes, various life forms begin to grow from within the tree.
 
This artwork was created by peeling away the surface of the artwork Life Survives by the Power of Life, 2011.
 
In computer graphics, and similarly in this digital work, wireframe models created with high levels of data are rendered as 3-D objects. When the surfaces of these computer-generated images are peeled away, their underlying mesh-like structures are revealed. Expressed by the intricacy of this work, teamLab exemplifies 3-D rendering in its stripped-down state while maintaining a highly complex and elaborate construction.

Nature brings us both blessings and disaster, and with the progress of civilization there are benefits and negative implications; nature and civilization are always connected. There is no absolute evil or true beauty. There is no easy way to understand, no simple way to arrange our feelings and our sensitivities. We must face every situation as it comes, to not despair, to face forward, and to go on with life.

teamLab has been working on the Spatial Calligraphy series since the collective formed. Spatial Calligraphy offers a contemporary interpretation of traditional Japanese sho (calligraphy) in an abstract space. It reconstructs Japanese sho in three-dimensional space and expresses the depth, speed, and power of the brushstroke. Butterflies, birds, animals, plants, and flowers appear from the calligraphy expressing the passing of the seasons. According to Zen Buddhist writing, “In all living things Buddha nature dwells.” All things are impermanent and the natural appearance of things is the Buddha nature. What we put into shape is that which we, the living, think is the heart of life.

Learn & Play! Future Park

Sketch Aquarium

All the various fish drawn by everyone swim around in this aquarium.

Color in a fish on the paper provided, and see the picture you have drawn come to life, swimming out into the massive aquarium in front of you together with the fish drawn by other people. If you touch the swimming fish, they will swim away. You can also feed the fish by touching the food bags.

Sketch Town

Sketch Town is a town that grows and evolves according to the pictures drawn by children.

After the 2-D drawings of the cars, buildings, UFOs, and spaceships are completed, they are scanned, become 3-D and enter a virtual 3-D townscape. Every component of the town has a role to play; for example, the fire trucks and cranes serve to protect the town. Children can interact with the final townscape by touching individual components to alter their behavior.

Sketch Town Papercraft

The pictures people draw in Sketch Town can be made into an original paper craft.

Each of the pictures drawn in Sketch Town, such as cars and buildings, is converted into a plan for a paper craft model. By assembling along the plan guidelines, you can create a one-of-a-kind paper craft.

Light Ball Orchestra

Rolling a light-ball changes its color and sound. Combined, the light-balls form an orchestra!

 The overhead light-balls communicate with those on the floor, as one is touched,  the surrounding balls will be affected, changing the color of the entire space. Roll the light-ball in front of you and it will change color and release sound. In the same space participants use their bodies, interacting with the different-sized light-balls to change the color of the space and to make music.

A Table where Little People Live

This is a table where little people live.
If you put something, such as your hand, on top of the table, the little people will jump on to it. Depending on the shape of the objects you place on the table, the little people will slide, jump, or climb. Place many objects on the table and the little people will play with delight.

Story of the Time when Gods were Everywhere

When people touch the characters that represent mountains, trees, birds, etc., that are projected on the wall, the world of the characters appears and a story is born. The objects that emerge from the symbols influence one another and are influenced by the actions of other people. For example, a bird lands on a tree, a sheep runs away from a dog, and a sheep dances as a child approaches it.

Connecting! Block Town

Create a city where trains, cars, boat and planes run, by placing connecting blocks on the table.The same type of blocks can connect to each other, allowing vehicles to run along roads and train tracks created by the connections. The vehicles will evolve as you connect more blocks. What you see in the air is the view from a helicopter. You can change the helicopter's flight route with the yellow cube connecting blocks.

Hopscotch for Geniuses

This is a game of hopscotch where you hop on the circles, triangles, and squares in the water.

When you land on the same shape several times in a row, a fish, butterfly, or bird is born. If you jump on many of the same shapes in a row, even more animals will appear.

And, if you consecutively jump on the same-colored shapes, that color will spread throughout the space.

If you touch the fish, butterflies, or birds that move along the walls, the animals will dissolve into the world.

BESUCH

Venue Details

teamLab: Dance! Art Exhibition, Learn & Play! Future Park

Dauer

2017.07.08(Sat) - 11.30(Thu)

Zeiten

10:00-22:00

Website

http://www.octharbour.com/party/8.shtml

Anreise

Adresse

OCT Harbour-OCT Creative Exhibition Center(OCT Bay, No.8 Baishi Road East, Nanshan District, Shenzhen)

KONTAKT

Für Medien-Mitarbeiter

NEWS

Publiziert in 搜狐, (Dec 16, 2017)

上市3年累计销量突破40万，15万级最火合资SUV，到底牛在哪？

上市3年累计销量突破40万，15万级最火合资SUV，到底牛在哪？缤智是广汽本田旗下的一款紧凑级SUV，堪称国内最热门的合资SUV之一。在刚过去的11月成功售出了13974辆，连续多月的傲人走势，让缤智这款SUV在前11个月就实现了2017年139342台的销量成绩，在同级别市场中连续三年销量遥遥领先。（Excerpt from the text）

Publiziert in PHILLIPS 20th Century & Contemporary Art & Design HongKong, (Nov 26, 2017)

teamLab

teamLab Founded in 2001 by the physicist and IT graduate Toshiyuki Inoko, teamLab is aTokyo-based interdisciplinary art collective whose practice seeks to navigate the confluence of art, technology, and design, while while breaking down the paradigms surrounding their conventional definitions and divisions.（Excerpt from the text）

Publiziert in am730, (Nov 16, 2017)

teamLab 對本港建築工程行業發展的啟示

上周未終於能抽空到深圳看teamLab的展覽，14件互動裝置作品，包括了「呼應燈森林」、「水粒子宇宙」、「彩繪城鎮」、「花與人」等，的確讓人樂而忘返。如斯細緻的作品當然並非一個朝夕便能成就的事。（Excerpt from the text）

KÜNSTLER

teamLab

teamLab (f. 2001) is an international art collective. Their collaborative practice seeks to navigate the confluence of art, science, technology, and the natural world. Through art, the interdisciplinary group of specialists, including artists, programmers, engineers, CG animators, mathematicians, and architects, aims to explore the relationship between the self and the world, and new forms of perception.

In order to understand the world around them, people separate it into independent entities with perceived boundaries between them. teamLab seeks to transcend these boundaries in our perceptions of the world, of the relationship between the self and the world, and of the continuity of time. Everything exists in a long, fragile yet miraculous, borderless continuity.

teamLab’s works are in the permanent collection of the National Gallery of Victoria, Melbourne; Art Gallery of New South Wales, Sydney; Art Gallery of South Australia, Adelaide; National Gallery of Australia, Canberra;  Amos Rex, Helsinki; Museum of Contemporary Art, Los Angeles; Asian Art Museum, San Francisco; Borusan Contemporary Art Collection, Istanbul; and Asia Society Museum, New York, among others.

teamlab.art

Biographical Documents

teamLab is represented by Pace Gallery, Martin Browne Contemporary and Ikkan Art.

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