The Life of Animals in Japanese Art | teamLab

Name: The Life of Animals in Japanese Art
Start: 2019-06-02
End: 2019-08-18
Location: National Gallery of Art

The Life of Animals in Japanese Art

VERGANGENE AUSSTELLUNGs

2019.06.02(Sun) - 08.18(Sun)National Gallery of Art, Washington D.C.

Group Exhibition

The Life of Animals in Japanese Art

VERGANGENE AUSSTELLUNGs

2019.06.02(Sun) - 08.18(Sun)National Gallery of Art, Washington D.C.

Group Exhibition

WERKE

United, Fragmented, Repeated and Impermanent World

Itō Jakuchū (1716–1800) was an early modern Japanese painter who was active in Kyoto in the mid-Edo period. Jakuchū has left us with a unique style of painting in which the surface is made up of a grid of tens of thousands of squares that are individually colored. This work was inspired by the screen paintings Birds, Animals, and Flowering Plants and Trees, Flowers, Birds and Animals.
Jakuchū’s square paintings remind us of computer-generated pixel art. It has been proposed that Jakuchū’s squares pictures were inspired by industrial production constraints in the designs of Nishijin (traditional high-quality silk fabric that is woven in Nishijin, Kyoto). Pixel art was also born from functional limitations. Those functional limitations no longer exist but pixel art is still a very popular form of expression. This is perhaps why we feel an intuitive digital sense to Jakuchū's square works. The colors of Jakuchū’s work are the result of the optical phenomena of visual mixing of color combinations within the squares. It appears as if Jakuchū understood optical mixing of colors at a time before Impressionism and Pointillism. 
This artwork was created in a virtual 3-D space in which 3-D animals move. The space was then converted into what teamLab calls ultrasubjective space. Then,  the color in the 3-D space is split by the color pattern of the squares. For example, if the pattern of a square is colored in red and blue, that part corresponds to purple in the three dimensional space. 
The squares of the screen are fixed while the space continues to move, and thus the color inside the squares is on a different time axis to the space. Seen as a whole from a distance, brilliantly shining  colors occur, and the world of plants and animals in the space will move at a slow time axis. When viewed up close, the colors divided by the finely drawn patterns of each square will change on a rapid time axis. Two time axes co-exist in this work.
In addition, parts of the image squares are filled in with the most frequent color in the squares, forming an abstract world. Furthermore, when a visitor stands in front of the work, the squares near them are similarly painted. The plants and animals move in space, but are abstracted by the fixed squares on-screen, creating a new visual expression through pixel art.

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BESUCH

Venue Details

The Life of Animals in Japanese Art

Dauer

2019.06.02(Sun) - 08.18(Sun)

Zeiten

Mon – Sat 10:00 – 17:00
Sun 11:00 – 18:00

Preis

Free

Website

https://www.nga.gov/exhibitions/2019/life-of-animals-in-japanese-art.html

Anreise

Adresse

East Building, Concourse Galleries
National Gallery of Art
6th and Constitution Avenue NW
Washington, DC

Map

KONTAKT

Contact

Pace Gallery
info@pacegallery.com

TEL

(202) 737-4215

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teamLab

teamLab (f. 2001) is an international art collective. Their collaborative practice seeks to navigate the confluence of art, science, technology, and the natural world. Through art, the interdisciplinary group of specialists, including artists, programmers, engineers, CG animators, mathematicians, and architects, aims to explore the relationship between the self and the world, and new forms of perception.

In order to understand the world around them, people separate it into independent entities with perceived boundaries between them. teamLab seeks to transcend these boundaries in our perceptions of the world, of the relationship between the self and the world, and of the continuity of time. Everything exists in a long, fragile yet miraculous, borderless continuity.

teamLab’s works are in the permanent collection of the National Gallery of Victoria, Melbourne; Art Gallery of New South Wales, Sydney; Art Gallery of South Australia, Adelaide; National Gallery of Australia, Canberra;  Amos Rex, Helsinki; Museum of Contemporary Art, Los Angeles; Asian Art Museum, San Francisco; Borusan Contemporary Art Collection, Istanbul; and Asia Society Museum, New York, among others.

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Biographical Documents

teamLab is represented by Pace Gallery, Martin Browne Contemporary and Ikkan Art.