teamLab: Digitized Kochi Castle

Name: teamLab: Digitized Kochi Castle
Start: 2019-11-08
End: 2020-01-13
Location: Kochi Castle

المعارض السابقة

‎2020.01.13(Mon) - ‎2019.11.08(Fri)Kochi Castle, Kochi

Within Kochi Castle, there are many dark or unlit areas. Visitors are advised to wear clothes and footwear that are easy to move in for safety.

المعارض السابقة

‎2020.01.13(Mon) - ‎2019.11.08(Fri)Kochi Castle, Kochi

#DigitizedKochiCastle

Within Kochi Castle, there are many dark or unlit areas. Visitors are advised to wear clothes and footwear that are easy to move in for safety.

teamLab: Digitized Kochi Castle
Kochi Castle was built over a period of about 10 years starting in 1601. Despite it being destroyed in a  fire, it was rebuilt in the middle of the Edo period and restored to its original form. Kochi Castle is considered an important historical site in Japan, as it is the only castle where the castle tower and nearly all of the central structure remain intact.

This exhibition is a part of teamLab’s Digitized City art project. The concept behind the project is that non-material digital technology can turn a city into art without physically altering it.

Kochi Castle has stood from the Edo period to the present day and remains an important symbol for the city of Kochi. teamLab: Digitized Kochi Castle will transform the castle into an interactive digital art space that changes due to the presence of people. This in turn, enhances the presence of humans, and transforms the relationship between people in the same space with digital art.

#DigitizedKochiCastle

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الأعمال الفنية

Autonomous Resonating Life and Resonating Trees

في هذا العمل الفني، تنبعث من الاضاءة الموضوعة بين الأشجار ضوءًا ذاتيًا يتألق ويتلاشى، مشابهًا للتنفس. عند دفعها، تتغير لون الاضاءة وتصدر نغمة فريدة، يتردد صداها مع الأضواء الاضوية والأشجار القريبة. انتشار مستمر للضوء والنغمة يشير إلى وجود الآخرين في المكان، مما يخلق وعيًا متزايدًا بين الأشخاص في المحيط.

مشاهدة أكثر

Floating, Resonating Spheres

Spheres of light float in the space、they move on their own, shining brightly, then disappearing—as if they are softly breathing. When the spheres of light are touched by a person or receive an impact, the color of their light changes, and they emit a musical tone unique to their new color. They then resonate that color and tone to the spheres around them, changing to the same color and emitting the same tone, resulting in a chain reaction.

مشاهدة أكثر

What a Loving, and Beautiful World – Kochi Castle Stone Wall

This is an artwork that uses Kochi Castle’s stone walls: a historical landmark formed in most part by natural, untouched stones piled on one another. The light that draws the calligraphy is black, meaning there is no light, thus making it indistinguishable from the shadows of the stone walls formed by natural rocks heaped on one another and their weathering over the course of several hundred years. The calligraphy pours into the shadows of the stone wall.
When people stand near the characters, the worlds that the characters embody will appear, influencing one another to create a single world.
The elements that are born from the characters are placed at various positions within the space, and the physical influences and connections between them produce a single world. For example, when the wind blows, flowers and snow physically fly away. Birds alight in trees, and butterflies are attracted to flowers. Just as in nature, what you see at this moment can never be seen again.

مشاهدة أكثر

Breathing Resonating Stone Wall – Kochi Castle

Kochi castle is considered an important castle in Japan, as it is the only castle where the castle tower and nearly all of the central structure remain intact. Its stone walls glow across the whole 500 meters. The light of the walls is autonomous, it shines brightly and then fades, as if breathing slowly.
The light of the walls joins together with Resonating Tree and Autonomous Resonating Life in the Ninomaru and Sannomaru ruins area, glowing brightly and producing a colour tone that resonates out.

مشاهدة أكثر

Resonating Kochi Castle

The light of Kochi Castle is autonomous, it shines brightly and then fades as if slowly breathing.The outer grounds house Resonating Tree and Autonomous Resonating Life, while the wall that extends from them to the Gate is home to Breathing Resonating Stone Wall - Kochi Castle. These artworks emit light, resonating, and shining brighter.

مشاهدة أكثر

Sketch Ryoma & Friends　

This park is a place where the historical figures of Kochi meet.Draw and color in the historical figures of Kochi, (Sakamoto Ryoma, Sakamoto Otome, Itagaki Taisuke, Chosokabe Motochika, Yamauchi Katsutoyo, and Chiyo) along with people (boys and girls). Then, see the characters come to life and walk around on a giant screen right in front of you.Touch the people, and they will react with surprise and perform various actions.Touch the historical figures, and they will begin to speak.

مشاهدة أكثر

Black Waves of Kochi Castle (On view from Nov 8 to Dec 19, 2019)

Kochi castle is considered an important castle in Japan, as it is the only castle where the castle tower and nearly all of the central structure remain intact. The artwork depicts waves on the fusuma sliding doors of the passageways that connect the outer and inner sections of the castle.

The movement of waves is simulated in a computer-generated three-dimensional space. The water is expressed as a continuous body after calculating the interactions of hundreds of thousands of particles. To visualize the waves, the behavior of the particles of the water was then extracted and lines were drawn in relation to the movement of the particles. The wave created in a three-dimensional space is then turned into an artwork in accordance with what teamLab refers to as ultrasubjective space.

In premodern Japanese painting, oceans, rivers, and other bodies of water were expressed as a series of lines. These lines give the impression of life, as though water was a living entity.  

This form of expression leads us to question why premodern people sensed life in rivers and oceans. Also, why did they behave as if they themselves were a part of nature? Perhaps something can be discovered by fusing the fixed objective world of today’s common knowledge with the subjective world of premodern people.

While viewing this artwork, if we feel a sense of life in the collection of lines—what can be called the subjective world of premodern people—then perhaps this is one aspect of objective recognition.

When viewing this artwork, as opposed to watching waves shot with a video camera, people may feel that the barrier between themselves and the waves disappears. They feel immersed in the work, perhaps even feeling life in the collection of lines, as if the waves are luring them in.
Perhaps we can find a connection to the way premodern Japanese people perceived the world and consequently behaved toward the world.

If we regard ourselves as a part of nature, and consider nature not just as something to be observed, we might join premodern people in perceiving rivers and oceans as living entities. This is a way of seeing the world that lures us in and allows us to feel that there is no boundary between ourselves and nature.

مشاهدة أكثر

Waves of Light of Kochi Castle (On view from Dec 20, 2019 to Jan 13, 2020)

Kochi castle is considered an important castle in Japan, as it is the only castle where the castle tower and nearly all of the central structure remain intact. The artwork depicts waves on the fusuma sliding doors of the passageways that connect the outer and inner sections of the castle.
The movement of waves is simulated in a computer-generated three-dimensional space. The water is expressed as a continuous body after calculating the interactions of hundreds of thousands of particles. To visualize the waves, the behavior of the particles of the water was then extracted and lines were drawn in relation to the movement of the particles. The wave created in a three-dimensional space is then turned into an artwork in accordance with what teamLab refers to as ultrasubjective space.

In premodern Japanese painting, oceans, rivers, and other bodies of water were expressed as a series of lines. These lines give the impression of life, as though water was a living entity.  
This form of expression leads us to question why premodern people sensed life in rivers and oceans. Also, why did they behave as if they themselves were a part of nature? Perhaps something can be discovered by fusing the fixed objective world of today’s common knowledge with the subjective world of premodern people.
While viewing this artwork, if we feel a sense of life in the collection of lines—what can be called the subjective world of premodern people—then perhaps this is one aspect of objective recognition.
When viewing this artwork, as opposed to watching waves shot with a video camera, people may feel that the barrier between themselves and the waves disappears. They feel immersed in the work, perhaps even feeling life in the collection of lines, as if the waves are luring them in. Perhaps we can find a connection to the way premodern Japanese people perceived the world and consequently behaved toward the world.
If we regard ourselves as a part of nature, and consider nature not just as something to be observed, we might join premodern people in perceiving rivers and oceans as living entities. This is a way of seeing the world that lures us in and allows us to feel that there is no boundary between ourselves and nature.

مشاهدة أكثر

Forest of Autonomous Resonating Life

The space is filled with ovoids of light. People move through the ovoids and enter the space.

When an ovoid is pushed, the color of its light changes, and it emits a sound tone specific to that color. The light  resonates out to other ovoids nearby. The sound tone resonates out continuously in the same way as the light, spreading throughout the ovoids in the space.

If a wave of light comes from the other side of the space, it signifies that there is another person there. As a result, people gain a heightened sense of awareness of the presence of others in the same space.

مشاهدة أكثر

MAP

تكبير

1
Breathing Resonating Stone Wall – Kochi Castle
2
What a Loving, and Beautiful World – Kochi Castle Stone Wall
3
Sketch Ryoma & Friends　
4
Forest of Autonomous Resonating Life
5
Autonomous Resonating Life and Resonating Trees
6
Floating, Resonating Spheres
7
Resonating Kochi Castle
8
Black Waves of Kochi Castle

1
Breathing Resonating Stone Wall – Kochi Castle
2
What a Loving, and Beautiful World – Kochi Castle Stone Wall
3
Sketch Ryoma & Friends　
4
Forest of Autonomous Resonating Life
5
Autonomous Resonating Life and Resonating Trees
6
Floating, Resonating Spheres
7
Resonating Kochi Castle
8
Black Waves of Kochi Castle

دليل الزوار

تفاصيل المكان

teamLab: Digitized Kochi Castle 2019-2020

الفترة

‎2020.01.13(Mon) - ‎2019.11.08(Fri)

أوقات العمل

17:30 – 21:30 (Last entry 21:00)

رسوم الدخول

Exhibition Admission:
Early Bird
Available at Convenience Stores in Japan
(Seven-Eleven, LAWSON, Mini stop, Family Mart)

[Number] 0252237 * Common number among all convenient stores above.
[Item] teamLab: Digitized Kochi Castle Early Bird Ticket
[Sales Period] October 15 (Tue) - November 7 (Thurs), 2019

Same Day Ticket
Available at on site and Convenience Stores in Japan
(Seven-Eleven, LAWSON, Mini stop, Family Mart)

[Number] 0252238 * Common number among all convenient stores stated above.
[Item] teamLab: Digitized Kochi Castle Same Day Ticket
[Sales Period] November 8 (Fri), 2019 - January 13 (Mon), 2020

Castle Tower Admission:
Only sold on site.

Contact

020701@ken.pref.kochi.lg.jp

وسائل المواصلات

العنوان

Kochi Castle
Kochi Park, 1-2-1 Marunouchi, Kochi City, Kochi

・15 min from Kochi Interchange by car.
・10 min from JR Kochi Station by car.
*For parking, please use the Kochi Park parking lot or the surrounding toll parking lots.
・3 minute walk from "Kochijo mae" Tosaden Kotsu tram stop 
* From JR Kochi Station, switch tram at Harimayabashi.

للاستفسار

إلى وسائل الإعلام

الملف الصحفي

Notes

・Kochi Castle and Kochi Park have stairs and unpaved roads. Due to the Law for the Protection of Cultural Properties, there are no access ramps.
・Visitors who come to the event drunk or otherwise pose a danger to themselves or others will be asked to leave.
・The exhibition may be closed due to severe weather.
・Entrance restrictions will apply if the venue reaches full capacity.
・The Organizers will not be held responsible for any injury, loss, or damage to personal items.
・Under no circumstances will refunds, exchanges or reissues be made after purchase.

الفنانون

تيم لاب

"تيم لاب" هو عبارة عن مجموعة فنيّة عالمية (تأسست عام 2001)، يتم التعاون فيها بهدف التعمّق في نقاط الالتقاء بين الفن والعلوم والتكنولوجيا والعالم الطبيعي. فعبر الأعمال الفنيّة، تهدف مجموعة من الخبراء ذوي الاختصاصات المختلفة، بمن فيهم فنانين ومبرمجين ومهندسين، وأخصائي رسوم متحركة، وعلماء رياضيات ومهندسين معماريين، إلى استكشاف العلاقة بين الذات والعالم وأشكال جديدة من الإدراك.

وفي محاولة إلى فهم العالم حولهم، يسعى الناس إلى فصله إلى وحدات مستقلة يتصوّرون حدودًا في ما بينها. ولكن "تيم لاب" يسعى إلى تجاوز هذه الحدود التي تحدّ رؤيتنا ونظرتنا إلى العالم وإلى العلاقة بين الذات والعالم واستمرارية الزمن. فكل شيء قائم في استمرارية بلا حدود، في استمرارية مستدامة وهشّة وخارقة في آن واحد.

تم عرض أعمال "تيم لاب" حول العالم، بما يشمل نيويورك، لندن، باريس، وادي السيليكون، بكين، وملبورن ضمن مدن أخرى. متاحف "تيم لاب" ومعارضه الضخمة الدائمة تشمل "تيم لاب بلا حدود" و"كواكب تيم لاب" في طوكيو، و"تيم لاب ماوراء الطبيعة" في ماكاو، و"تيم لاب بلا كتلة" في بكين. مع المزيد من المعارض التي سوف يتم افتتاحها في أبوظبي، هامبورغ، جدة، ويوتريخت. 

تتواجد أعمال "تيم لاب" من ضمن المجموعة الدائمة لمتحف الفن المعاصر في لوس أنجلوس، وفي معرض الفنون في نيو ساوث ويلز في سيدني، وفي معرض الفنون في جنوب أستراليا في أديليد، وفي متحف الفن الآسيوي في سان فرانسيسكو، وفي متحف جمعية آسيا في نيويورك، وفي مجموعة بوروسان للفن المعاصر في إسطنبول، وفي المعرض الوطني لفيكتوريا في ملبورن، وفي آموس ريكس في هلسنكي.

تيم لاب

وثائق السيرة الذاتية

يتم تمثيل أعمال "تيم لاب" من قبل معرض بايس، ومعرض مارتن براون للفنون المعاصرة، ومعرض إيكان للفنون.

المنظمون

teamLab: Digitized Kochi Castle Executive Committee