teamLab: Impermanent Flowers Floating in a Continuous Sea｜21st Century Museum of Contemporary Art, Kanazawa, Japan

Name: teamLab: Impermanent Flowers Floating in a Continuous Sea｜21st Century Museum of Contemporary Art, Kanazawa, Japan
Start: 2019-08-09
End: 2019-09-01
Location: 21st Century Museum of Contemporary Art, Kanazawa

المعارض السابقة

‎09.01(Sun) - 2019.08.09(Fri)21st Century Museum of Contemporary Art, Kanazawa, Ishikawa

المعارض السابقة

‎09.01(Sun) - 2019.08.09(Fri)21st Century Museum of Contemporary Art, Kanazawa, Ishikawa

الأعمال الفنية

Light Community

Light Community consists of hundreds of autonomous light vehicles. There is no overall control or comprehension of the entire space.

The light vehicles are completely autonomous, they move around a track continually, changing speed in response to the vehicle in front of them, and sometimes slowing down when they need to replenish their energy.
When people stand close to the vehicles they shine brightly and emit a sound tone which resonates out to the nearby vehicles, the light and sound resonates out continuously in response to the person’s presence. When people are not close by the vehicles glow as though gently breathing.

مشاهدة أكثر

Black Waves: Lost, Immersed and Reborn

This is an installation made of one continuous wave. The waves projected are all connected and form a single, unbroken body of water. As we immerse and meld ourselves into the waves, we explore a continuity among people, as well as a new relationship that transcends the boundaries between people and the world.

The movement of water is simulated in a computer-generated three-dimensional space. The water is expressed as a continuous body after calculating the interactions of hundreds of thousands of particles. To visualize the waves, lines were drawn in relation to the movement of the particles. The waves created in 3-D space were then turned into an artwork in accordance with what teamLab refers to as ultrasubjective space.

In premodern Japanese painting, oceans, rivers, and other bodies of water were expressed as a series of lines. These lines give the impression of life, as though water is a living entity.  

This form of expression leads us to question why pre-modern people sensed life in rivers and oceans. Also, why did they behave as if they themselves were a part of nature? Perhaps something can be discovered by fusing the fixed objective world of today’s common knowledge with the subjective world of premodern people.

While viewing this artwork, if we feel a sense of life in the collection of lines — what can be called the subjective world of premodern people — then perhaps this is one aspect of objective recognition.

When viewing this artwork, as opposed to when watching images of waves captured by a video camera, people may feel that the boundary between themselves and the waves disappears. They feel immersed in the work, perhaps even feeling life in the collection of lines, as if the waves are luring them in. Perhaps we can find a connection to the way premodern Japanese people perceived the world and, consequently, how they behaved toward the world.

If we regard ourselves as a part of nature and consider nature not just as something to be observed, we might join pre-modern people in perceiving rivers and oceans as living entities. This is a way of seeing the world that engages us, and allows us to feel that there is no boundary between ourselves and nature.

مشاهدة أكثر

استمرارية الحياة والموت في الخلود الآني.. لا يمكن السيطرة عليهما بل العيش معًا

يتغير عالم العمل الفني مع التدفق الحقيقي للزمن في موقعه. فالعمل الفني يزداد إشراقًا مع شروق الشمس ويزداد ظلمة عند غروبها، وتتغير الأزهار.
وتكرر الأزهار عملية الحياة والموت إلى الأبد. وعندما يلمس الأشخاص الأزهار، تتناثر بتلاتها. ولكن إذا قاموا بوضع أيديهم بثبات على العمل الفني، فتزهر أزهار أكثر من المعتاد.
فالزمن الذي يوجد فيه المشاهد، وزمن المكان، وزمن تكرار الأزهار لدورة الحياة والموت، كلها أزمنة تتقاطع وتتداخل، بينما تبقى متصلة بالجسد والمكان وعالم العمل الفني. وفي فضاء العمل الفني تتداخل أزمنة وفضاءات مختلفة.
إن العمل الفني ليس عبارة عن مشاهد مسجّلة مسبقاً يتم إعادة تشغيلها، بل يتم إنشاؤها بواسطة برنامج حاسوبي يعرض العمل باستمرار في الوقت الفعلي. ويؤدي التفاعل بين الأشخاص والعمل الفني إلى تغيير مستمر في العمل الفني، لذا لا يمكن أبداً تكرار الحالات البصرية السابقة ولن تتكرر أبدًا. ولا يمكن أبدًا رؤية نفس المشهد في هذه اللحظة مرة أخرى.

مشاهدة أكثر

Reversible Rotation - Black in White

The Spatial Calligraphy in this artwork space rotates in the same direction, but because of the characteristics of Ultrasubjective Space, visually, the clockwise and counterclockwise rotation are logically equivalent. Hence, the work can appear to be rotating in either direction depending on how the viewer chooses to look at it.
Spatial Calligraphy is a form of calligraphy drawn in space that teamLab has been exploring since it was founded. The artwork reconstructs calligraphy in three-dimensional space to express the depth, speed, and power of the brush stroke, and that calligraphy is then flattened using the logical structure of space that teamLab calls Ultrasubjective Space. The calligraphy shifts between two and three dimensions.

مشاهدة أكثر

Flowers Bombing

The flowers drawn by visitors appear on the walls and grow in clusters.People’s drawings give life to the flowers that then bloom, scatter, and die. As the petals scatter, their trajectories draw new lines.If people place their hands on the wall and hold still, more flowers bloom. If they move their hands, the flowers scatter their petals all at once.

مشاهدة أكثر

دليل الزوار

تفاصيل المكان

teamLab: Impermanent Flowers Floating in a Continuous Sea

الفترة

‎09.01(Sun) - 2019.08.09(Fri)

أوقات العمل

10:00 - 18:00 (Open until 20:00 on Fridays and Saturdays)

العطل

No Holiday

Ticket Fee

Online
7ticket、Official Ticket Website

In-store play guide
Hokkokushimbun readerservice center

Venue
21st Century Museum of Contemporary Art Kanazawa, People's Gallery A (Same Day tickets only)

وسائل المواصلات

العنوان

21st Century Museum of Contemporary Art, Kanazawa
Address :1-2-1 Hirosaka, Kanazawa City, Ishikawa, Japan 920-8509

خريطة المكان

From JR Kanazawa Station

HOKUTETSU Local-line Bus (Local Bus):
Take buses from bus terminal 3,6 at East Exit. Get off at “Hirosaka·21st Century Museum”. Walk 1 min. Take buses from bus terminal 8–10 at East Exit. Get off at "Korinbo (ATRIO-mae)". Walk 5 min. (10-min ride) *Bus services limited to weekends and holidays

Machibus :
Take buses from bus terminal 5 at East Exit. Get off at “Kanazawa 21-Seiki Bijutsukan / Kenrokuen (Mayumizaka-guchi)” (20-min ride). Walk 1 min.

KANAZAWA LOOP BUS :
Take buses from bus terminal 7 at East Exit. Get off at “Hirosaka·21st Century Museum (Ishiura Jinja-mae)” (20-min ride). Walk 1 min.

KENROKUEN SHUTTLE :
Take buses departing from bus terminal 6 at East Exit. Get off at “Hirosaka·21st Century Museum (Shiinokigeihinkan-mae)” (20-min ride). Walk 1 min.

From Komatsu Airport
About 40 min by Airport Limousine bus. Get off at Kanazawa Station west gate (terminal). Transfer to local-line Bus.

للاستفسار

Contact

teamLab: Impermanent Flowers Floating in a Continuous Sea Executive Committee
076-260-3581 (Weekdays 10:00 - 18:00, unavailable on weekends or holidays)

Inquiry about ticket

Inquiry Form

إلى وسائل الإعلام

الملف الصحفي

Notes on purchasing tickets

・Ticket valid for date specified
・Price includes tax.
・Please note that It is not possible to cancel or date change tickets after purchase.You can change the date only for tickets purchased on the official ticket website. Please see here for the conditions.
・Tickets may be sold out
If online tickets, Seven Tickets and the Official Ticket Site tickets, are sold out, a limited number of tickets will be sold at the venue depending on the entrance status. Please inquire in advance.
・To guests with a Disability Certificate.
※ Guests with a Disability Certificate and 1 accompanying person may purchase Disabled Person Discount tickets. Available only on official ticket sites and at the exhibition.
(There is no additional discount for children with Disability Certificates. However, 1 adult accompanying a child with a Disability Certificate may purchase a ticket at the Disabled Person Discount Rate)
We will check the disability certificate at the entrance gate, please come with your accompanying person.
*Only the disability certificate issued in Japan will be eligible.
・Children (Junior High School students and under) must be accompanied by an adult at least 20 years old.
1 adult may accompany up to 3 children.
*Children 3 years old and under are free

Notice to Visitors

・This facility cannot be held liable for any visitor's personal injury, loss, or other problems occurring here.
・If you must leave the queue please make sure that someone in your party stays behind.
・It may not be possible to enter at the requested time, please keep a margin of flexibility to your schedule. Last entry is 40 minutes before closing time.
・ Reselling tickets is prohibited. A ticket that has been resold will not allow entry to the facility. This facility cannot be held responsible for any problems with resold tickets.
・Certain works may not be exhibited due to large crowds or maintenance.
・ Interruptions or cancellations of the exhibition may take place due to facility conditions.
・Tickets can be refunded only if the facility has an unscheduled closure.
・ We do not pay travel expenses, etc., for coming to the venue, even if the exhibition has been suspended.
・Re-entry is not permitted.
Luggage with a length of 50 cm or more, strollers, and pets are not permitted. Exemption only for service dogs. Please use the coin lockers provided at the museum.
・Prohibited Items
Hazardous items, smelly items, fresh flowers, etc.
Any drinks with no caps or covers.
Any other items deemed to be hazardous by the staff.
・Be aware that the facility is dark with uneven ground and unsteady footing. Be aware of the actions of people with you and around you. If you have young children, watch them closely for their safety.
・Note that the artworks may have flashing lights and loud noises.
- For your own safety, please do not touch the projectors, sensors, lights, or other equipment.
・No smoking, drinking, or eating (including candy and gum) in the exhibition spaces. You can only have drinks at the rest areas on each floor.
・Wheelchair users may enter the facility, but for safety reasons, some works cannot be experienced.
・Wheelchair users may be asked to wait, as the number of wheelchair users admitted at one time is limited. Wheelchairs are also available in the museum for guests who wish to borrow them.
・Anyone who is ill or drunk will not be allowed entry.
・You can take photos and videos and post them on social media, but the following are prohibited:
Photography using auxiliary camera equipment (such as monopods, tripods, and selfie sticks), flash photography.
Other actions that bother other guests.
・Please note that video or photo coverage of the site may be performed without prior notice. If you do not agree to be featured in the coverage, regardless of its application, please inform our staff.
・Photo shooting for commercial purposes is not permitted without prior concent.
・You may be asked to present identification at the entrance
You may be asked to present your ID card at admission to prove your age .
・Please follow the staff's instructions. If you do not follow the instructions, we may escort you out of the premises.

الفنانون

تيم لاب

"تيم لاب" هو عبارة عن مجموعة فنيّة عالمية (تأسست عام 2001)، يتم التعاون فيها بهدف التعمّق في نقاط الالتقاء بين الفن والعلوم والتكنولوجيا والعالم الطبيعي. فعبر الأعمال الفنيّة، تهدف مجموعة من الخبراء ذوي الاختصاصات المختلفة، بمن فيهم فنانين ومبرمجين ومهندسين، وأخصائي رسوم متحركة، وعلماء رياضيات ومهندسين معماريين، إلى استكشاف العلاقة بين الذات والعالم وأشكال جديدة من الإدراك.

وفي محاولة إلى فهم العالم حولهم، يسعى الناس إلى فصله إلى وحدات مستقلة يتصوّرون حدودًا في ما بينها. ولكن "تيم لاب" يسعى إلى تجاوز هذه الحدود التي تحدّ رؤيتنا ونظرتنا إلى العالم وإلى العلاقة بين الذات والعالم واستمرارية الزمن. فكل شيء قائم في استمرارية بلا حدود، في استمرارية مستدامة وهشّة وخارقة في آن واحد.

تم عرض أعمال "تيم لاب" حول العالم، بما يشمل نيويورك، لندن، باريس، وادي السيليكون، بكين، وملبورن ضمن مدن أخرى. متاحف "تيم لاب" ومعارضه الضخمة الدائمة تشمل "تيم لاب بلا حدود" و"كواكب تيم لاب" في طوكيو، و"تيم لاب ماوراء الطبيعة" في ماكاو، و"تيم لاب بلا كتلة" في بكين. مع المزيد من المعارض التي سوف يتم افتتاحها في أبوظبي، هامبورغ، جدة، ويوتريخت. 

تتواجد أعمال "تيم لاب" من ضمن المجموعة الدائمة لمتحف الفن المعاصر في لوس أنجلوس، وفي معرض الفنون في نيو ساوث ويلز في سيدني، وفي معرض الفنون في جنوب أستراليا في أديليد، وفي متحف الفن الآسيوي في سان فرانسيسكو، وفي متحف جمعية آسيا في نيويورك، وفي مجموعة بوروسان للفن المعاصر في إسطنبول، وفي المعرض الوطني لفيكتوريا في ملبورن، وفي آموس ريكس في هلسنكي.

تيم لاب

وثائق السيرة الذاتية

يتم تمثيل أعمال "تيم لاب" من قبل معرض بايس، ومعرض مارتن براون للفنون المعاصرة، ومعرض إيكان للفنون.

المنظمون

teamLab: Impermanent Flowers Floating in a Continuous Sea Executive Committee

المنظمون المشاركون

21st Century Museum of Contemporary Art, Kanazawa [Kanazawa Art Promotion and Development Foundation]

الرعاة الخاصون

Seven Ticket

الداعمون

Ishikawa Prefecture, City of Kanazawa, Ishikawa Art and Culture Association, Asahi Broadcasting Nagano Corporation, FM ISHIKAWA BROADCASTING, RADIO KANAZAWA/KOMATSU/NANAO, Kanazawa Cable