teamLab: LIFE

Name: teamLab: LIFE
Start: 2020-09-25
End: 2021-08-22
Location: Dongdaemun Design Plaza (DDP)

المعارض السابقة

‎2021.08.22(Sun) - ‎2020.09.25(Fri)Dongdaemun Design Plaza (DDP), Seoul

#teamLabLIFE

Measures to prevent the spread of COVID-19

المعارض السابقة

‎2021.08.22(Sun) - ‎2020.09.25(Fri)Dongdaemun Design Plaza (DDP), Seoul

Measures to prevent the spread of COVID-19

#teamLabLIFE

teamLab: LIFE
The blessings and threats of nature, as well as the blessings and threats of civilization, are continuous. There is no single source of absolute malice, nor can it all be dismissed idealistically. There are no simple answers, and at times it is difficult to process our emotions. Even so, we want to affirm life in all aspects. Life is beautiful.

#teamLabLIFE

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الأعمال الفنية

Universe of Water Particles, Transcending Boundaries

Water is represented by a continuum of numerous water particles. The interaction between the particles is calculated, and then lines are drawn in relation to the behavior of the water particles. The lines are “flattened” using what teamLab considers to be ultrasubjective space.
When a person stands on the waterfall, they obstruct the flow of water like a rock, and the flow of water changes. The flow of water continues to transform due to the interaction of people. Previous visual states can never be replicated and will never reoccur. 
The flow of the waterfall influences other artworks.

مشاهدة أكثر

Flowers and People, Cannot be Controlled but Live Together - Transcending Boundaries, A Whole Year per Hour

This artwork is in continuous change, transcending the boundaries between itself and other works. Over a period of one hour, a year’s worth of seasonal flowers blossoms and scatters.
Flowers are born, grow, bloom, and eventually scatter and die. The cycle of birth and death repeats itself in perpetuity. If people stay still, more flowers are born. If people touch the flowers and walk around the space, the flowers scatter all at once.
The artwork is not a pre-recorded image that is played back: it is created by a computer program that continuously renders the work in real time. The interaction between people and the installation causes continuous change in the artwork: previous visual states can never be replicated, and will never reoccur. The picture at this moment can never be seen again.
The water from the Universe of Water Particles artwork influences this work, causing the flowers to scatter.
In spring in the Kunisaki Peninsula, there are many cherry blossoms in the mountains and canola blossoms at their base. This experience of nature caused teamLab to wonder how many of these flowers were planted by people and how many were native to the environment. It is a place of great serenity and contentment, but the expansive body of flowers is an ecosystem influenced by human intervention, and the boundary between the work of nature and the work of humans is unclear. Rather than nature and humans being in conflict, a healthy ecosystem is one that includes people. In the past, people understood that they could not grasp nature in its entirety, and that it is not possible to control nature. People lived more closely aligned to the rules of nature that created a comfortable natural environment. We believe that these valleys hold faint traces of this premodern relationship with nature that once existed, and we hope to explore a form of human intervention based on the premise that nature cannot be controlled.

مشاهدة أكثر

Life Survives by the Power of Life II

على الرغم من أن الذات والطبيعة يبدوان مختلفين، إلا أنهما في الواقع كيان واحد، لا ينفصلان عن بعضهما البعض. إن نقيض الانقسام ليس هو التوحد، وقد ندرك أن الوجود الذي يبدو متميزًا هو في الواقع جزء من كلٍّ واحد.
إن منافع الطبيعة وتهديداتها، وكذلك منافع وتهديدات الحضارة، مستمرة. ولا يوجد مصدر للشر المطلق، ولا يمكن رفضه بشكل مثالي. ومع ذلك فإننا نسعى إلى تأكيد الحياة في جميع جوانبها. إن الحياة جميلة.
في هذا العمل الفني، تمت كتابة (生 "سيه")، المقطع الذي يدل على الحياة، بشكل ثلاثي الأبعاد باستخدام الخط في الفضاء. والخط في الفضاء هو شكل من أشكال الخط المرسوم في الفضاء والذي كان تيم لاب يستكشفه منذ تأسيسه. يعيد العمل الفني بناء الخط في فضاء ثلاثي الأبعاد للتعبير عن عمق وسرعة وقوة ضربة الفرشاة، ثم يتم تسطيح هذا الخط باستخدام البنية المنطقية التي يطلق عليها تيم لاب الفضاء فوق الذاتي. وينتقل الخط بين بعدين وثلاثة أبعاد.
يبدو فضاء العمل الفني التقليدي، المؤطر بالعدسة أو المنظور، وكأنه على الجانب الآخر من سطح العمل الفني، حيث يصبح السطح بمثابة حدود، ويتم فصل الفضاء الذي يوجد فيه المشاهد عن فضاء العمل الفني. ومع ذلك، فإن إحدى خصائص الفضاء فوق الذاتي هي أن سطح العمل الفني لا يصبح حدودًا.وبالتالي فإن الفضاء الذي يوجد فيه العمل الفني يتجاوز حدود سطح العمل الفني ويتم إدراكه كما لو أنه موجود بشكل ثلاثي الأبعاد في نفس الفضاء الذي يقف فيه المشاهد. وفضاء العمل الفني متواصل مع الفضاء المادي للمشاهد.

مشاهدة أكثر

Animals of Flowers, Symbiotic Lives

Seasonal flowers bloom while slowly changing. Animals are born from those flowers. The flowers continue to bloom and die in an eternal cycle, forming the shapes of animals.
When people touch the animals, the flower petals scatter. If people touch the animals too much, all of the flowers will scatter, and the animals will die and fade away.

The artwork is not a pre-recorded image that is played back; it is created by a computer program that continuously renders the work in real time. The interaction between people and the installation causes continuous change in the artwork, so previous visual states can never be replicated, and will never reoccur. The picture at this moment can never be seen again.

مشاهدة أكثر

Beating Earth

The three-dimensional terrain with varying elevations shifts and writhes, dividing visual and physical cognition of the space.
The movements of people cause the ground to shift and move to an even greater extent.

مشاهدة أكثر

Shifting Valley, Living Creatures of Flowers, Symbiotic Lives

Living creatures made of flowers live in a three-dimensional world. The flowers continue to bloom and die in an eternal cycle, forming the shapes of living creatures.
Living things eat and are eaten by each other to create one shared ecosystem. If a creature eats other living things, its numbers will increase. On the other hand, if it does not eat enough, it will die. And if it is eaten by another creature, it will disappear. When people step on the creatures’ flowers, the petals will scatter. When people continuously step on a creature, too many flowers will fall, and the creature will die and disappear.
The artwork is not a pre-recorded image that is played back: it is created by a computer program that continuously renders the work in real time. The interaction between people and the installation causes continuous change in the artwork: previous visual states can never be replicated, and will never reoccur. The picture at this moment can never be seen again.

مشاهدة أكثر

Black Waves: Immersive Mass

All oceans are connected to each other, and so are all the waves in this world.

This artwork has no beginning nor end, it consists of a single, continuous wave.
People who enter the artwork are confronted by this wave mass, and before long, they are drawn in, becoming one with the artwork. They realize that what they perceive as the exterior of the mass is also the interior. The exterior and interior are two sides of the same unified whole, indivisible. They make up a single, seamless existence.

In classical East Asian art, waves are often expressed using a combination of lines. These waves created by lines allow us to realize that each wave is one part of a larger flow, and conveys life as though the waves are a living entity.

When the waves rise, we can feel a powerful breath of life, as though life is blooming. It feels as though each wave has a life of its own. But when the waves collapse and disappear, we realize, with a sense of fragility, that they were a part of the ocean. And that ocean is connected to all of the other oceans. In other words, all of the waves in the world are connected to each other.
The waves seem alive because life is like a rising wave. It is a miraculous phenomenon that continuously emerges from a single, continuous ocean.

The waves are expressed through a continuous body of countless water particles. The interactions of particles are calculated, and then the movement of water is simulated in three-dimensional space. Lines are created along the trajectories of the water particles, and drawn on the surface layer of the three-dimensional waves.
The lines are created with what teamLab refers to as Ultrasubjective Space. In contrast to space that is created through, or cut out by, lenses and perspective, Ultrasubjective Space does not fix the viewer’s viewpoint and in turn frees the body. The wall that the waves are seen on does not become a boundary between the viewer and the artwork, and the artwork space is continuous with the space of the viewer’s body.

مشاهدة أكثر

Flutter of Butterflies Beyond Borders, Life Born on the Other Side

A flutter of butterflies. As people pass through the space on the other side of the glass, outside of the exhibition, butterflies are born from beneath their feet. The flutter of butterflies dance in the space, transcend the boundary created by the glass, and enter the exhibition. When people touch them, the butterflies die.When no one is on the other side of the glass, the space is completely dark and nothing exists.
The artwork is not a pre-recorded image that is played back: it is created by a computer program that continuously renders the work in real time. The interaction between people and the installation causes continuous change in the artwork: previous visual states can never be replicated, and will never reoccur. The picture at this moment can never be seen again.

مشاهدة أكثر

Proliferating Immense Life

The flowers repeat the cycle of life and death in perpetuity, continually changing with the flow of time. When people touch them, the flower petals scatter and fall away.

The space of the artwork is created with what teamLab refers to as Ultrasubjective Space. In contrast to spaces that are created through, or in other words cut out by, lenses and perspective, Ultrasubjective Space does not fix the viewer’s viewpoint and in turn frees the body. The wall that the flowers are seen on does not become a boundary between the viewer and the artwork, and the artwork space is continuous with the space of the viewer’s body.

مشاهدة أكثر

Continuous Life and Death at the Crossover of Eternity

Flowers continue to blossom and die in an eternal cycle, the blooms changing with the passage of time in nearby artworks. When people touch the flowers, their petals scatter. But if people hold their hands still against the work, more flowers will be born than usual.
The world of the artwork becomes brighter with the sunrise where it is located, and it becomes darker as the sun sets. 
The time of the repeated life and death of the flowers, the time of the nearby artwork worlds, and the time of the city where the work is located, all of these different times intersect and overlap, while the space of the artwork world, other artwork worlds, and the city remain connected. The artwork space is an overlap of different times and space.
The artwork is not a pre-recorded image that is played back: it is created by a computer program that continuously renders the work in real time. The interaction between people and the installation causes continuous change in the artwork: previous visual states can never be replicated, and will never reoccur. The picture at this moment can never be seen again.

مشاهدة أكثر

التطبيق

teamLab App

Understand Deeply and Enjoy More
We have prepared a guide app that allows you to read the concepts of the artworks near you.

دليل الزوار

تفاصيل المكان

teamLab: LIFE

الفترة

‎2021.08.22(Sun) - ‎2020.09.25(Fri)

الوقت

10:00 - 20:00
Last Entry 19:00

العطل

Oct 5, Oct 19, Nov 2, Nov 16, Nov 30, Dec 14, 2020
Feb 15, Mar 8, Apr 19, Jun 14, Jul 19, 2021
* Operates on national holidays

Website

Dongdaemun Design Plaza (DDP)

وسائل المواصلات

العنوان

DDP Dongdaemun Design Plaza Museum B2F Design Exhibition Hall (M1 Gate)
281, Eulji-ro, Jung-gu, Seoul 04566

خريطة المكان

العنوان باللغة المحلية:

DDP 동대문 디자인 플라자 배움터 지하 2층 디자인 전시관(M1 Gate)
04566 서울시 중구 을지로 281

By Subway

Exit 1 of Dongdaemun History and Culture Park Station (Lines 2, 4, and 5)
- Closest to the B2 level entrance to Oullim Square, the Design Market, the Design Lab, and the Museum

Exit 2 of Dongdaemun History and Culture Park Station (Lines 2, 4, and 5)
- Closest to the first floor entrance of the Design Lab and the Dongdaemun History and Culture Park entrance (near Gallery Moon and underground parking lot)

By Bus

(02-174) Dongdaemun History and Culture Park
-N13, 105, 152, 301, 7212, 9403

(02-173) Dongdaemun History and Culture Park
-N13, N16, N30, 105, 144, 261, 301, 407, 420, 2014, 2233, 7212

(02-175) Dongdaemun History and Culture Park
-N13, N16, N30, 105, 144, 261, 301, 407, 420, 2012, 2015, 2233, 90S Tour

(02-235) Dongdaemun History and Culture Park
-N62, 202, 507, 2014, 2233

(02-280) Dongdaemun Design Plaza
-2012

(02-171) Gwanghui-dong
-N13, N16, 144, 301, 420, 7212

(02-170) Gwanghui-dong
-N13, N16, 100, 105, 144, 301, 420, 407, 7212

(02-169) National Medical Center on Euljiro-6ga
-N30, 100, 105, 202, 152, 261

By Car

From Heunginjimun and Cheonggye 6-ga areas via Jangchungdan-ro
- Turn left toward Sindang Station and Chungmu Art Hall at Dongdaemun History and Culture Park Junction
- Follow Eulji-ro 45-gil approximately 200 m
- Enter DDP basement parking lot

From Majang Station and Heunginjimun areas via Majang-ro
- Make a left turn at the fashion mall U:us 
- Take Eulji-ro 45-gil 
- Enter DDP basement parking lot after approximately 300 m

From the Hannam-daegyo and Jangchung Gymnasium areas via Jangchungdan-ro
- Pass Gwanghui-dong Junction and make a left turn toward Sindang Station and Chungmu Art Hall at Dongdaemun History and Culture Park Junction
- Follow Eulji-ro 45-gil approximately 200 m 
- Enter DDP basement parking lot

للاستفسار

إلى وسائل الإعلام

الملف الصحفي

الأخبار

تم النشر في The Korea Herald , Jan 18, 2021

[Feature] When art meets technology

The artwork -- “Animals of Flower, Symbiotic Lives II” -- was one of several at the exhibition “teamLab: LIFE” at Dongdaemun Design Plaza in Seoul that went viral after it opened last September, attracting a large number of visitors despite the ongoing pandemic. Designed by teamLab, an art collective, the artworks are not pre-recorded images on continuous playback. The works are created by a computer program that recognizes viewers in real time. In other words, the art pieces change constantly depending on how the viewers choose to interact with the installed works.(Excerpt from the text)

تم النشر في YONSEI Annals , Nov 30, 2020

“teamLab: LIFE”—Returning to our Roots

TODAY, ART exhibitions are becoming more interactive and digital than they have ever been. We are now faced with installations that aren’t just encased in a frame on the wall, but are expanding across all four walls and even the floor. With the projected images constantly changing from the interaction between people and the artwork, viewers can use their senses of sight, hearing, and touch to experience the artwork. teamLab, an international art collective* since 2001, is an interdisciplinary group of specialists that aims to discover the relationship between the self and our natural world. (Excerpt from the text)

تم النشر في Korea JoongAng Daily , Sep 28, 2020

Art collective teamLab combines humans and nature

Amid heated controversy over whether Instagram-friendly, spectacular digital images are now a field of contemporary art or just high-tech attractions, one of the world's most famous collectives for such works, teamLab, started a solo exhibition at the Dongdaemun Design Plaza (DDP) in central Seoul on Friday. teamLab, which was formed in 2001 in Tokyo and now consists of hundreds of artists, engineers, programmers, computer graphic animators and other experts, presents 10 pieces of animated large-scale digital works, under the theme of "Life." (Excerpt from the text)

الفنانون

تيم لاب

"تيم لاب" هو عبارة عن مجموعة فنيّة عالمية (تأسست عام 2001)، يتم التعاون فيها بهدف التعمّق في نقاط الالتقاء بين الفن والعلوم والتكنولوجيا والعالم الطبيعي. فعبر الأعمال الفنيّة، تهدف مجموعة من الخبراء ذوي الاختصاصات المختلفة، بمن فيهم فنانين ومبرمجين ومهندسين، وأخصائي رسوم متحركة، وعلماء رياضيات ومهندسين معماريين، إلى استكشاف العلاقة بين الذات والعالم وأشكال جديدة من الإدراك.

وفي محاولة إلى فهم العالم حولهم، يسعى الناس إلى فصله إلى وحدات مستقلة يتصوّرون حدودًا في ما بينها. ولكن "تيم لاب" يسعى إلى تجاوز هذه الحدود التي تحدّ رؤيتنا ونظرتنا إلى العالم وإلى العلاقة بين الذات والعالم واستمرارية الزمن. فكل شيء قائم في استمرارية بلا حدود، في استمرارية مستدامة وهشّة وخارقة في آن واحد.

تتواجد أعمال "تيم لاب" من ضمن المجموعة الدائمة لمعرض فكتوريا الوطني في ملبورن، ومعرض الفنون نيو ساوث ويلز في سيدني، ومعرض فنون جنوب أستراليا في أديلايد، ومعرض أستراليا الوطني في كانبيرا، ومتحف الفنون آموس ريكس في هلسنكي، ومتحف الفن المعاصر في لوس أنجلوس، ومتحف الفن الآسيوي في سان فرانسيسكو، ومتحف مجموعة بوروسان للفن المعاصر في إسطنبول، وجمعية متحف آسيا في نيويورك، وغيرها.

تيم لاب

وثائق السيرة الذاتية

يتم تمثيل أعمال "تيم لاب" من قبل معرض بايس، ومعرض مارتن براون للفنون المعاصرة، ومعرض إيكان للفنون.

المنظمون

CultureDepot

الداعمون

STUDIO DRAGON, IEUM HASHTAG, GRAYGO, STONEHENgE