Spatial Dialogues | teamLab

Name: Spatial Dialogues
Start: 2024-06-06
End: 2024-08-30
Location: Beit Zenel

Spatial Dialogues

المعارض السابقة

‎08.30(Fri) - 2024.06.06(Thu)Beit Zenel, Jeddah

Spatial Dialogues

المعارض السابقة

‎08.30(Fri) - 2024.06.06(Thu)Beit Zenel, Jeddah

الأعمال الفنية

Persistence of Life in the Sandfall

When people approach the flowers, they scatter and die. When they approach the sand, the falling sand breaks up.
Since ancient times people have looked at falling sand to understand the concept of short periods of time, and they have seen the changes in the flowers that bloom to feel the passage of longer periods of time. The time of the falling sand, the repeated life and death of the flowers, and the time of people's bodies - all these different times intersect and overlap.
The space of the artwork is created with what teamLab refers to as Ultrasubjective Space. In contrast to spaces that are created through, or in other words cut out by, lenses and perspective, Ultrasubjective Space does not fix the viewer’s viewpoint and in turn frees the body. The wall that the flowers are seen on does not become a boundary between the viewer and the artwork, and the artwork space is continuous with the space of the viewer’s body.

مشاهدة أكثر

Universe of Fire Particles: Born in the Darkness, Return to the Darkness

The flames of Universe of Fire Particles change shape due to a black absolute presence.
Flames are a phenomenon of light and heat generated by combustion; it is a vaporized or decomposed substance in a state of flow. It is our sensory experience of seeing what is in between phenomenon and substance. People perceive fire as a single object through this sensory experience, and may even sometimes feel life in it.
Lines are drawn in relation to the flow of combusting gas in the mass and the flames are created by the accumulation of those lines in three-dimensions. The lines are then “flattened” using what teamLab considers to be Ultrasubjective Space to represent the flames.

مشاهدة أكثر

Memory of Waves

All oceans are connected to each other, and so are all the waves in this world.

In classical East Asian art, waves are often expressed using a combination of lines. These waves created by lines allow us to realize that each wave is one part of a larger flow, and conveys life as though the waves are a living entity.

When the waves rise, we can feel a powerful breath of life, as though life is blooming. It feels as though each wave has a life of its own. But when the waves collapse and disappear, we realize, with a sense of fragility, that they were a part of the ocean. And that ocean is connected to all of the other oceans. In other words, all of the waves in the world are connected to each other.
The waves seem alive because life is like a rising wave. It is a miraculous phenomenon that continuously emerges from a single, continuous ocean.

The waves are expressed through a continuous body of countless water particles. The interactions of particles are calculated, and then the movement of water is simulated in three-dimensional space. Lines are created along the trajectories of the water particles, and drawn on the surface layer of the three-dimensional waves.

The lines are created with what teamLab refers to as Ultrasubjective Space. In contrast to space that is created through, or cut out by, lenses and perspective, Ultrasubjective Space does not fix the viewer’s viewpoint and in turn frees the body. The wall that the waves are seen on does not become a boundary between the viewer and the artwork, and the artwork space is continuous with the space of the viewer’s body.

مشاهدة أكثر

Dissipative Figures - 1000 Birds, Light in Dark

The contours of life’s existence are not the surface boundary of the body, but something ambiguous that includes the environment that is continuous with it.As long as people live, they dissipate energy and affect the environment, such as the flow of air.In this artwork, the existence of the birds are depicted through the energy they dissipate into the world.
Being consists of the mind, the body, and the environment that is continuous with them.
Objects like stones and man-made creations so far have maintained a stable structure on their own. But life is different. Whereas a stone can continue to exist in a closed box, sealed off from the outside world, life would cease to exist.
Life is like a vortex created in the ocean. A vortex forms and exists in a flow of matter, and the boundaries of its existence are ambiguous.  
Although a vortex is steady, it is constantly moving and swelling like a powerful life-form. The vortex cannot maintain a stable structure on its own; rather, it is created and sustained by water that continuously flows inwards and outwards.
The same is true of life. It consumes external matter and energy as food and discharges it, sustaining its ordered structure as the energy dissipates. In other words, life does not exist by itself. It is the environment that is continuous with it that maintains the structure of life. 
Life is a miraculous phenomenon that emerges from a flow in an open world. Like an ocean vortex, it is an existence with ambiguous boundaries in an infinite continuity.
To be alive is to be inseparable from the world, constantly dissipating energy into it.

مشاهدة أكثر

Dissipative Figures – Human, Light in Dark

The contours of life’s existence are not the surface boundary of the body, but something ambiguous that includes the environment that is continuous with it.
As long as people live, they dissipate energy and affect the environment, such as the flow of air.
In this artwork, the existence of a person is depicted through the energy dissipated by people into the world for as long as they live.

Being consists of the mind, the body, and the environment that is continuous with them.

Objects like stones and man-made creations so far have maintained a stable structure on their own. But life is different. Whereas a stone can continue to exist in a closed box, sealed off from the outside world, life would cease to exist.

Life is like a vortex created in the ocean. A vortex forms and exists in a flow of matter, and the boundaries of its existence are ambiguous.  

Although a vortex is steady, it is constantly moving and swelling like a powerful life-form. The vortex cannot maintain a stable structure on its own; rather, it is created and sustained by water that continuously flows inwards and outwards.

The same is true of life. It consumes external matter and energy as food and discharges it, sustaining its ordered structure as the energy dissipates. In other words, life does not exist by itself. It is the environment that is continuous with it that maintains the structure of life.

Life is a miraculous phenomenon that emerges from a flow in an open world. Like an ocean vortex, it is an existence with ambiguous boundaries in an infinite continuity.

To be alive is to be inseparable from the world, constantly dissipating energy into it.

مشاهدة أكثر

الحياة تحيا بقوّة الحياة 2

على الرغم من أن الذات والطبيعة يبدوان مختلفين، إلا أنهما في الواقع كيان واحد، لا ينفصلان عن بعضهما البعض. إن نقيض الانقسام ليس هو التوحد، وقد ندرك أن الوجود الذي يبدو متميزًا هو في الواقع جزء من كلٍّ واحد.
إن منافع الطبيعة وتهديداتها، وكذلك منافع وتهديدات الحضارة، مستمرة. ولا يوجد مصدر للشر المطلق، ولا يمكن رفضه بشكل مثالي. ومع ذلك فإننا نسعى إلى تأكيد الحياة في جميع جوانبها. إن الحياة جميلة.
في هذا العمل الفني، تمت كتابة (生 "سيه")، المقطع الذي يدل على الحياة، بشكل ثلاثي الأبعاد باستخدام الخط في الفضاء. والخط في الفضاء هو شكل من أشكال الخط المرسوم في الفضاء والذي كان تيم لاب يستكشفه منذ تأسيسه. يعيد العمل الفني بناء الخط في فضاء ثلاثي الأبعاد للتعبير عن عمق وسرعة وقوة ضربة الفرشاة، ثم يتم تسطيح هذا الخط باستخدام البنية المنطقية التي يطلق عليها تيم لاب الفضاء فوق الذاتي. وينتقل الخط بين بعدين وثلاثة أبعاد.
يبدو فضاء العمل الفني التقليدي، المؤطر بالعدسة أو المنظور، وكأنه على الجانب الآخر من سطح العمل الفني، حيث يصبح السطح بمثابة حدود، ويتم فصل الفضاء الذي يوجد فيه المشاهد عن فضاء العمل الفني. ومع ذلك، فإن إحدى خصائص الفضاء فوق الذاتي هي أن سطح العمل الفني لا يصبح حدودًا.وبالتالي فإن الفضاء الذي يوجد فيه العمل الفني يتجاوز حدود سطح العمل الفني ويتم إدراكه كما لو أنه موجود بشكل ثلاثي الأبعاد في نفس الفضاء الذي يقف فيه المشاهد. وفضاء العمل الفني متواصل مع الفضاء المادي للمشاهد.

مشاهدة أكثر

دليل الزوار

تفاصيل المكان

Spatial Dialogues

الفترة

‎08.30(Fri) - 2024.06.06(Thu)

الوقت

Mon-Sat 17:00 - 23:00

العطل

Sunday

موقع ويب

ATHR Gallery

وسائل المواصلات

العنوان

Athr Gallery
Al Bayaa Sq, Al-Balad, Jeddah

خريطة المكان

العنوان باللغة المحلية:

7402 زقاق المتحف، 3012، حي البلد،, Jeddah 22236

للاستفسار

Athr Gallery

info@athrart.com

الفنانون

تيم لاب

"تيم لاب" هو عبارة عن مجموعة فنيّة عالمية (تأسست عام 2001)، يتم التعاون فيها بهدف التعمّق في نقاط الالتقاء بين الفن والعلوم والتكنولوجيا والعالم الطبيعي. فعبر الأعمال الفنيّة، تهدف مجموعة من الخبراء ذوي الاختصاصات المختلفة، بمن فيهم فنانين ومبرمجين ومهندسين، وأخصائي رسوم متحركة، وعلماء رياضيات ومهندسين معماريين، إلى استكشاف العلاقة بين الذات والعالم وأشكال جديدة من الإدراك.

وفي محاولة إلى فهم العالم حولهم، يسعى الناس إلى فصله إلى وحدات مستقلة يتصوّرون حدودًا في ما بينها. ولكن "تيم لاب" يسعى إلى تجاوز هذه الحدود التي تحدّ رؤيتنا ونظرتنا إلى العالم وإلى العلاقة بين الذات والعالم واستمرارية الزمن. فكل شيء قائم في استمرارية بلا حدود، في استمرارية مستدامة وهشّة وخارقة في آن واحد.

تتواجد أعمال "تيم لاب" من ضمن المجموعة الدائمة لمعرض فكتوريا الوطني في ملبورن، ومعرض الفنون نيو ساوث ويلز في سيدني، ومعرض فنون جنوب أستراليا في أديلايد، ومعرض أستراليا الوطني في كانبيرا، ومتحف الفنون آموس ريكس في هلسنكي، ومتحف الفن المعاصر في لوس أنجلوس، ومتحف الفن الآسيوي في سان فرانسيسكو، ومتحف مجموعة بوروسان للفن المعاصر في إسطنبول، وجمعية متحف آسيا في نيويورك، وغيرها.

تيم لاب

وثائق السيرة الذاتية

يتم تمثيل أعمال "تيم لاب" من قبل معرض بايس، ومعرض مارتن براون للفنون المعاصرة، ومعرض إيكان للفنون.